A Quote by Arlene Croce
Style consists in maintaining a convincing reality all through a piece. It's like wearing a garment that looks as if it might have been made for you even if it wasn't.
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I like illusion when it is so convincing that we might as well see reality this way - I like to present to our belief system something that is convincing, that 'we know not to be.'
Yes, the people I draw don't have a wide variety of looks. Every now and then I'll spruce it up, like a woman will be wearing a two-piece suit as opposed to a one-piece, or a man will not be wearing a tie; he'll just have a collar.
When we put the antlers on the model and then draped over it the lace embroidery that we had made, we had to poke them through a £2,000 piece of work. But then it worked because it looks like she's rammed the piece of lace with her antlers. There's always spontaneity. You've got to allow for that in my shows.
I don't really have a style -- I'm just me. My style is kinda whatever I feel like wearing. A lot of girls feel like they need to wear what everyone else is wearing. But it's good to have your own trend. People will start following it!
Style is the physiognomy of the mind. It is more infallible than that of the body. To imitate the style of another is said to be wearing a mask. However beautiful it may be, it is through its lifelessness insipid and intolerable, so that even the most ugly living face is more engaging.
I like Lil Wayne's style. His style probably influences me the most. Basically, he's just wearing exactly what he feels like wearing. He goes to the club, and he's got shorts and a wife-beater on. That shows you what type of celebrity he is and what he is able to pull off, fashion-wise. I try to be in that same lane.
We are a resilient country. We've been through a Civil War; we've been through two World Wars. We've been through a Great Depression; we even made it through Jimmy Carter! We will make it through the Obama years!
To the casual observer it looks like I have moved on since I go around wearing my little happy mask all day. I smile and laugh and carry on like my heart's still in one piece, but beneath it all, I am dying.
The one thing you can rely on is if you get disturbed halfway through a painting and it looks a bit naff, then someone will preserve that piece, remove it and a few months later it'll be paraded round Sotheby's by people wearing white gloves.
Once established, a successful style looks like an inevitability - maybe that's the definition of a successful style - but there's often the time when it looks like anything but.
It's really important to like what you're wearing. It's pretty clear when I don't like what I'm wearing, and it's pretty clear if you got dressed for other people. Even if you're not looking the the best you can, or maybe your outfit isn't spot on, if it looks like you got dressed and you like it, you'll probably look cool anyway.
I think style is a fringe benefit that looks like you made it.
Haute couture consists of secrets whispered from generation to generation, If, in ready-to-wear, a garment is manufactured according to standard sizes, the haute couture garment adapts to any imperfection in order to eliminate it.
I want to put a soul in a garment. I don't want my clothes to be perfect, because human beings are not perfect. You can meet somebody in one of my jackets and it can all look a bit wrong, but also human and beautiful. Cutting nonchalance into a garment is difficult, because you can't just make an oversized or an asymmetric garment - it will look ugly. Making it look natural is delicate work. If it's too obvious, then it looks fake. Balancing the garment is a painstaking task, because you have to keep in mind how the clothes move.
XXVIII "Truth," said a traveller, "Is a rock, a mighty fortress; "Often have I been to it, "Even to its highest tower, "From whence the world looks black." "Truth," said a traveller, "Is a breath, a wind, "A shadow, a phantom; "Long have I pursued it, "But never have I touched "The hem of its garment." And I believed the second traveller; For truth was to me A breath, a wind, A shadow, a phantom, And never had I touched The hem of its garment.
You try to do as much as you can on set because practical looks cool and practical looks great. Until you get to a point where the reality is you look at it - and I went through this in my last movie which was a war film, which my brother fought in Iraq and I did a ton of research and as much as I could made it documentary-like - and then at some point on set, the reality is somebody says to you, "You know, you can use a real squib and you can have three hours of clean up and you can lose five shots or we can do that blood explosion in post and you can get those five extra shots."
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