A Quote by Arlene Phillips
In a musical, I believe that choreographers are under a great deal of pressure. There's not always the freedom to do what you want to do, because if it ends up being too long the dance breaks are the first thing that will go, because you can't make the story shorter.
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My grandad's a gospel singer, and his children were singers, too. But I don't believe in God in the same way... not religion; it breaks us up too much. The same with musical styles - it breaks people up. I believe they are all one thing - why not put them together?
I love doing comedy, and that's the thing I will always go back to, really, but I'd love to have the freedom to do sort of 'meaty' roles but also have the freedom to do the sort of films I want to make, like what Woody Allen does. You forget he's funny because you're so gripped by the story, but they still make you laugh.
I believe that dance was the first art. A philosopher has said that dance and architecture were the first arts. I believe that dance was first because it's gesture, it's communication. That doesn't mean it's telling a story, but it means it's communicating a feeling, a sensation to people.
Here's Kanye, the great musical genius of his generation in hip hop, but, like, society really can't even deal with him because he's always saying something that people go, 'Oh, I can't believe Kanye said that. I can't believe he did that.'
But I keep going on with this sad and hungry and sordid, this limping and mutilated story, because after all I want you to hear it, as I will hear yours too if I ever get the chance, if I meet you or if you escape, in the future or in heaven or in prison or underground, some other place. What they have in common is that they're not here. By telling you anything at all I'm at least believing in you, I believe you're there, I believe you into being. Because I'm telling you this story I will your existence. I tell, therefore you are.
I can destroy a dance floor. I think life should be a musical. I always hate it when people watch a musical and they go, 'Oh, it's so unrealistic, no one just breaks into song in the middle of their day.' Yeah, they do- if they're me.
The education we all receive from the State, at school and after, has so warped our minds that the very notion of freedom ends up by being lost, and disguised in servitude. It is a sad sight to see those who believe themselves to be revolutionaries unleashing their hatred on the anarchist just because his views on freedom go beyond their petty and narrow concepts of freedom learned in the State school.
We are just at the studio, me and my choreographers, we are spending like 30 nights and we are thinking, what is my next dance move? Because in Korea there are huge expectations about my dancing. So it was a lot of pressure.
The great thing I think when you do independents is that people are really there for the same reason. They're not there because they got a lot of money and they want to just go home and get it over with. They're there because they believe in the script or the director or the cast or whatever it is, and they want to make it work.
If you hear a statistic, you will make up a story to go with it, because our brains are organized on narrative. And you may very well make up a wrong story because you only have one fact, which is a statistic.
Okay. If you want to do this thing with Marcus then fine. I’ll take it and deal with it. But when he hurts you. When he lets you down, I’ll be here. My arms are always open for you to run into. I want you happy and if you think this asshole will make you happy then fine. You need to live a little too. I can’t protect you from everything, but I can be here to hold you when he breaks your heart.
I know a lot of choreographers prefer to do abstract dance and not be bothered with a story, but even when I'm asked to do classical ballet or a modern piece, I still want to tell a story.
It's just that, right now, I want to hear you promise me that if we do run out of time and I go mad, like Miranda, it ends with me. The curse ends here, because our baby will be safe. You will make that happen. Isn't that so?" It took him a minute. "Yes," he said finnally. "It's so. Although, if we're just going to talk about the baby, I can think of an easier way to save her." Oh? What?" I'd just lock her up from her sixteenth birthday on." Lucy didn't laugh. "Don't think I haven't thought of that too, love. but here's the thing. That parents try that in all the fairy tales. It never works.
Never make too good of a deal. It sounds a little counterintuitive, but the deals that are too good of a deal for you in the long run will end up hurting you. A lot of people in our business don't realize that. They think their job is to go in a room and negotiate the highest price.
By telling you anything at all I'm at least believing in you, believe you're there, I believe you into being. Because I'm telling you this story I will your existence. I tell, therefore you are. So I will go on. So I will myself to go on.
So, first, I wanted to be a part of the project because I thought it was an important story to tell. On top of that, it's rare to find roles for strong, young, feisty women, especially in a military film. And I love that Suarez ends up being the moral compass of the story, and that she's also brave enough to stand up to all these men.
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