A Quote by Arlene Phillips

In the 1960s everybody knew about Christine Keeler and Mandy Rice-Davies. No matter what class people belonged to, they were talking about these two young girls who had become mixed up in the Profumo affair. Extraordinary times.
Christine Keeler was not allowed a voice. There were so many men who were imposing their views and opinions onto her and they decided who she was. Christine never had the opportunity to truly give her side of the story.
First I went to a Jewish school, when I was very little. But when I was 12, they put me in a school with a lot of traditions, and they were educated people and they were talking about Greece and the Parthenon and I don't know what. All the kids, all the girls they had already seen that and knew that from their family, and I would say, "What are you talking about, what's that?" It's not my world. My grandparents were very well-educated people, but in the Jewish tradition. They knew everything about the Bible.
I mean, the people who got us into these crises - whether we're talking about the bankers or the hedge fund managers, or we're talking about the IMF - it's become pretty clear that the price to be paid for their illegal financial shenanigans, the burden is being placed on working class people, on the poor, on the elderly, on young people. It's become clear that neoliberal policies aren't just interested in "solving" an economic crisis, these are policies designed to enrich corporations and bankers and the rich at the expense of everybody else.
I grew up in a super suburban place where the mundane middle-class issues were similar to what Ray Davies was singing about. All the topics he was singing about were middle-class woes and humanitarian woes - human-being woes.
All the girls in the world were divided into two classes: one class included all the girls in the world except her, and they had all the usual human feelings and were very ordinary girls; while the other class -herself alone- had no weaknesses and was superior to all humanity.
When we talk about economic growth, we're not talking about bringing a bunch of companies in that can make a bunch of bucks and hope they spend 'em in our city. We're talking about creating jobs, creating new companies and then we move from there to talk about cooperatives which can become some of those jobs, some of the solidarity economy where we can begin to band together people so they'll understand that a job is not a single individual affair but a collective affair.
I was a young feminist in the '70s. Feminism saved my life. It gave me a life. But I saw how so much of what people were saying was not matching up with what they were doing. For example, we were talking about sister solidarity, and women were putting each other down. We were talking about standing up for our rights, and women weren't leaving abusive relationships with men. There were just so many disconnects.
We were talking about that actually - so many of the girls now, you don't really know any of them anymore. Me and Sasha Pivovarova were talking about it, about doing shows, and how we only know each other and a few other girls. Everyone gets replaced rather quickly in modeling.
You always worry that everybody is secretly talking about you behind your back, everybody is secretly making fun of your voice, your figure, the way that you are during puberty, but it turned out, in real life, everybody was. On movie sets, they were all talking about these things, because they had to.
Everybody does good things, but I'm talking about making major changes in the educational system that would impact an entire race. I'm talking about stopping these young gang members from killing one another. I'm talking about keeping prisons from overflowing.
Calling this 'The Trial Of Christine Keeler' is clever because it's a re-examination of Christine's life and the trials and tribulations that she went through including the court trial. We as a society are so quick to judge, and no one has been judged quite as much as she has.
There's those young girls that I once was, looking up to Mia Hamm, Christine Lilly, all those players, and I know how much of an effect they had on me. Knowing that, I feel like I'm in a position where I can really help be a positive influence in girls' lives.
He had quite liked the dwarfs. He often had no idea what they were talking about, but for a group of homicidal, class-obsessed small people, they were really rather good fun.
I didn't pay much attention to the whistles and whoops, in fact, I didn't quite hear them. I was full of a strange feeling, as if I were two people. One of them was Norma Jeane from the orphanage who belonged to nobody; the other was someone whose name I didn't know. But I knew where she belonged; she belonged to the ocean and the sky and the whole world.
Girls weekend with the 'Vampire Diaries' girls has become a big deal! It's our quality time. It's so much fun to unload and not feel guilty complaining or talking about your insecurities or bonding over things that you thought you were on your own about.
Girls' weekend with the 'Vampire Diaries' girls has become a big deal! It's our quality time. It's so much fun to unload and not feel guilty complaining or talking about your insecurities or bonding over things that you thought you were on your own about.
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