A Quote by Arlie Russell Hochschild
I really have this sense that time is passing, and it's important to do what you have wanted to do.
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For pain words are lacking. There should be cries, cracks, fissures, whiteness passing over chintz covers, interference with the sense of time, of space ; the sense also of extreme fixity in passing objects ; and sounds very remote and then very close ; flesh being gashed and blood sparting, a joint suddenly twisted - beneath all of which appears something very important, yet remote, to be just held in solitude.” — Virginia Woolf, The Waves
I think I have a strange relationship with time. I'm not really aware of that time passing. I don't feel that I'm wasteful with time. But I'm not aware of it passing.
I really wanted to be a musician, but it turned out I had no sense of time.
When I wrote The Interestings, I wanted to let time unspool, to give the book the feeling of time passing. I had to allow myself the freedom to move back and forth in time freely, and to trust that readers would accept this.
When I wrote 'The Interestings,' I wanted to let time unspool, to give the book the feeling of time passing. I had to allow myself the freedom to move back and forth in time freely, and to trust that readers would accept this.
When I decided that I wanted to go to college, I wanted to be a school teacher for 7th and 8th grade boys because I felt that was an important time for them. I had gone astray at that point in my life and really wanted to help keep them from making the same mistake I had made.
Time was passing like a hand waving from a train that I wanted to be on.
It's really important to take time for yourself because if you don't know what it is like to be a real person and spend time with a sense of normality, how can you play normal people in films?
In the sense that writing is to retrieve the past and stop the passing of time, all writing is about loss. It's not nostalgia in the sense of yearning to bring back the past, but recognition of the erosion of things as you live.
One of the most important elements of Caio-ness I wanted to keep was that left to right reading, where one form draws you... this movement in what is otherwise a fairly still art, that sense of pulling the eye. It involves a sense of time. To me that's esoteric and magical and playful, and if a painting doesn't have that, to me it's just canvas and paint. If it does have that, then it rises above its materials.
Yet you could feel a vibration in the air, a sense of hastening. It had started with the moon, inaccessible poem that it was. Now men had walked upon it, rubber treads on a pearl of the gods. Perhaps it was an awareness of time passing, the last summer of the decade. Sometimes I just wanted to raise my hands and stop. But stop what? Maybe just growing up.
A strong sense of humor, a really awesome personality, and maturity is also really important in a boyfriend. I tend to only be attracted to older guys for that reason. I just love guys who have a really strong sense of who they are.
The timelessness is completely important. It's partly about removing things that would become in some way nostalgic. There aren't really any markers of time, like furniture or a particular style of shoe that denote a particular period or place. I think that's why I like the outdoors, because it removes a sense of time and I want the painting to feel timeless, because it increases that sense of omnipotence.
I always wanted to be a musician from when I was kid. It was always a massive dream of mine. School was also really really important to me and having an education was top of my priority. So I really wanted to have a degree before I tried anything in the music industry.
Artists often think they are going to die before their time. They seem to possess a heightened sense of the passing of the hours.
This day is not a sieve, losing time. With each passing minute, each passing year, there's this deepening awareness that I am filling, gaining time. We stand on the brink of eternity.
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