A Quote by Arlie Russell Hochschild
There's the reason that I think that red states don't trust the government. They see it as an instrument of their own marginalization, because they feel especially Democratic administrations have favored blacks, women, immigrants, refugees. And all of these groups, they see as getting ahead of them, as almost like line-cutters, pushing them back in line.
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In my dreams and visions, I seemed to see a line, and on the other side of that line were green fields, and lovely flowers, and beautiful white ladies, who stretched out their arms to me over the line, but I couldn't reach them no-how. I always fell before I got to the line.
In my mind, I see a line. And over that line, I see green fields and lovely flowers and beautiful, white women with their arms stretched out to me over that line, but I can't seem to get there no how. I can't seem to get over that line.
I have had wrinkles on my forehead and my smile line since I was a kid. I see them in my own kids. I know what they're going to look like. So it's kind of like that's my personality. I feel the older you get, too, the more confident you become just in your own skin.
Even when there's not a joke or a hook, the first line has to be good and snapem to attention. Songs ain't novels. You don't have 30 pages to slowly wrap somebody in. They're more like short stories or poems. If the first line hasn't grabbed them, you won't get to the second line. Once you've developed an audience, you may have some luxury and trust, so you don't have to knock 'em over the head with line one.
For me there's always a line or two in a script, when you hit it you almost decide to do the whole movie off a line or two. You almost do it for the fun of getting to say a line or two like that. I don't have any specific plans, you know. I mean, if Seth Rogen calls with a great buddy pic, I'll be there.
Some artists I know, they would rather not see the audience or envision them. But for me, I'd rather see them. I feel like part of the reason I perform is to feel that connection. It's the reason I love it so much.
The United States, and the president's made this clear, does not want Iran to develop a nuclear weapon. That's a red line for us. And it's a red line obviously for the Israelis so we share a common goal here.
I can see it, hear it, feel it, taste it - but I can never be on the inside of it with you. I cannot even be sure whether I really know what it is like. Is it 'like' my own? Or incomparable? Just as I can never know if what you see at any given moment is exactly the same as what I see. We look at a colour. We both call it red. But it is only because we have been taught to call it by that name. There is no guarantee - not ever - that we see it in the same way, that your red is my red.
When you organize your work and look back at your entire production, it may feel like you're looking at a straight line, but in fact it's nothing like that. The work is very experimental and most of the time it develops like branches. I usually see a capillary, like a tree shape where there are... branches that sort of move because you're not tending to them.
Hazel had read enough books to know that a line like this one is the line down which your life breaks in two. And you have to think very carefully about whether you want to cross it, because once you do it’s very hard to get back to the world you left behind. And sometimes you break a barrier that no one knew existed, and then everything you knew before crossing the line is gone. But sometimes you have a friend to rescue. And so you take a deep breath and then step over the line and into the darkness ahead.
If you go to a therapist, they say, 'Are you sure? How do you feel about your wrinkles?' And I say, 'I don't know, because I don't really see them.' I see my hands, but I don't see my face, so it's not a torment. I only see it for five minutes in the morning when I brush my teeth! When you read women's magazines you always read about this drama of getting old, about anti-aging cream and plastic surgery and whatever else. But I think if you're independent, like I have grown to be, it's welcome.
I've played people that are on the line of evil and good, but that's life. We are always playing with the good and the bad. I see them as people. I don't see them as caricatures. I try to not make them caricatures. Maybe I fail, but I try to see what' behind them. Would I play the hero? A superhero? I don't think so. But, I play good guys. There are some there, but you have to look.
Most people draw from the mind, not the eye. They draw the idea of a table or a face, not what's in front of them. We don't actually see the line of the jaw as a line and we don't see an eye as a perfectly outlined almond shape.
Rich white Protestant men have held on to some measure of power in America almost solely by getting women, blacks, and other disadvantaged groups to wear crippling foot fashions. This keeps them too busy with corns and bunions to compete in the job market.
We live in a world of self-deprecation, and while it’s healthy to make fun of ourselves from time to time, it bothers me when I see women of all ages belittling their accomplishments because they don’t want to appear boastful or overconfident. You don’t see a lot of guys out there underplaying their strengths or making light of what they’re good at, so why should women? While I get that there’s a fine line between owning your accomplishments and reciting every line of your résumé, there is absolutely no shame in being proud of what you’ve managed to achieve! Own it!
I have to say the thing that I want to do so badly is design a line. I still don't know exactly what direction I want to go but designing a line for full-figured women, offering them a chance to have chic clothing that's maybe a little more daring than the clothing they've been offered in the past, I would like the opportunity to create that for them. I'd also like to break into the beauty industry and be the face of a makeup line. I think for it sends a fantastic message: Here's the face of beauty and look, she's a bigger size.
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