A Quote by Arlo Guthrie

I've written quite a variety of songs, everything from kids songs to political satire, and my dad covered a fairly large range, also. — © Arlo Guthrie
I've written quite a variety of songs, everything from kids songs to political satire, and my dad covered a fairly large range, also.
I have four shelves covered with journals that I've written. Dad and I are writing songs together. I've probably written 100 songs.
I've always covered some Dylan songs. I do one or two. And I do them because they're great songs. You know some people cover songs they wish they could have written, not me. I like to cover songs I know I could not have ever written.
I have written quite a lot of songs about dealing with my feelings surrounding the disease. I have written songs about the fear and anxiety I have around my disease, and the fear of it coming back. Some of my songs might seem like relationship songs, but are more about my relationship with that struggle.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
A lot of songs we've written have been political, but they're also personally political.
I also tried to focus on songs that Billie Holiday wrote, songs that she had a hand in shaping, like "Strange Fruit"; songs that were written for her or songs that she wrote herself, like "Fine and Mellow" or "God Bless The Child."
I do want people to know that the songs that I wrote when I was with women were really about women. And the songs that I've written since have been fairly obvious about men.
I've never written songs about relationships. I've written songs about how I feel. The songs are more about me, than another person. That's the way I like to look at it.
When you hear kids singing your songs it just validates them, they sound like real songs when you hear them back, it's quite refreshing. Like songs that could have been around for a hundred years.
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
Then the musical instruments appeared. Dad’s snare drum from the house, Henry’s guitar from his car, Adam’s spare guitar from my room. Everyone was jamming together, singing songs: Dad’s songs, Adam’s songs, old Clash songs, old Wipers songs. Teddy was dancing around, the blond of his hair reflecting the golden flames. I remember watching it all and getting that tickling in my chest and thinking to myself: This is what happiness feels like.
Even if my songs are quite sad or quite dark, I don't want my songs to make people sad. It's very important for me that all my songs have some kind of hope or light.
I work hard at that, but the fact that there are a lot of good songs means there are also a lot of really bad songs I've written that you never hear.
It's funny; Luther and I have written many songs together, but we've never written songs in the same room.
I know people who have written big hit country songs that are really kind of terrible songs, but for the rest of their life, they're the guy who wrote that. You've got to be careful; if you don't want that to happen, don't write those songs.
I've only written 30 songs or something. Dylan's written over 500 songs. There's no comparison. He's the Shakespeare of rock 'n' roll and popular music.
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