A Quote by Arlo Parks
When I was growing up, there weren't that many queer girls of colour making music. So I just wanted to be able to exist, just to be that, without putting too much emphasis on it.
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In order to make a change, I have to exist in a traditionally homophobic space such as hip-hop. If I were to just be this queer rapper who only spoke to queer kids... I don't think I could as effectively make a change for another young, black, queer kid growing up in Texas.
All my friends were doing just dumb stuff that kids do, like making out with people at parties and starting to date... I didn't know any gay people growing up or any queer people growing up, and so I just really felt alone and kind of lost, and I just wasn't experiencing life.
My interest in making music has been to create something that does not exist that I would like to listen to. I wanted to hear music that had not yet happened, by putting together things that suggested a new thing which did not yet exist.
When I started making music, I just wanted to be the producer who sang the hooks. I wanted to be Pharrell, honestly, the one who made the beats and was in the music video with the girls.
I've had so many young girls come up to me after a show and say, 'How do I start putting my music on Bandcamp?' or 'I used to play music, but I don't anymore, and I really want to start writing again.' That's just the most amazing feeling.
I think, in general, straight actors should be able to play queer roles just as much as queer actors should be able to play straight roles. I think the reason why the debate is there is because we haven't had enough queer actors being cast in anything. People are in need of that representation in general.
We saw too much beauty to be cynical, felt too much joy to be dismissive, climbed too many mountains to be quitters, kissed too many girls to be deceivers, saw too many sunrises not to be believers, broke too many strings to be pro's and gave too much love to be concerned where it goes.
I don't think too much about how it might exist in the world in a commercial sense - I more just try and focus on making music that I love and trying to put it out into the world.
I went to so many record labels - name any one - and they all turned me down. For some reason I just got the thumbs down for years and years. It sounds like I'm making that up, but it's true. I'm too serious about music and my creations to take just any kind of deal. There were a couple of companies that wanted to put me with a producer, and I said, "Well, I just produced my last album," and I wasn't about to go backwards.
Now, brethren, this is one of our greatest faults in our Christian lives. We are allowing too many rivals of God. We actually have too many gods. We have too many irons in the fire. We have too much theology that we don't understand. We have too much churchly institutionalism. We have too much religion. Actually, I guess we just have too much of too much.
My family put a lot of emphasis on homework, so there weren't too many comic books or video games for me, when I was growing up.
I'm interested in bridging and filling in space that hasn't already been filled, so when it comes to making music, I've just always wanted to be able to reference things that producers in the big pop major label context do, without compromising the entire sound of the record.
I don't think I ever set my goals that high. As a kid growing up I just wanted an opportunity to race and to be able to make a living doing it. It just came together.
I'd be making beats pretty much every day after school and it just grew and grew. I wasn't precious about my music. I just loved creating and putting stuff out there.
All I know about 1970s New York City is that it's where I grew up, and you always have an umbilical connection to the time and place of your growing up. It was cheap, didn't have too many people in it, you could go to the movies or whatever on the spur of the moment, you could get by without working too much and especially without involving yourself in the corporate world.
Dance has always just been an extension of music for me. It's about putting my music into motion. It's just another dimension that I tap into with my music that not many artists do anymore.
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