A Quote by Arlo Parks

As a child I had a wild imagination; from the age of seven I'd sit and write epic stories. — © Arlo Parks
As a child I had a wild imagination; from the age of seven I'd sit and write epic stories.
The music had to be rooted, and yet had to branch out,like the wild imagination of a child.
My greatest strength as a child, I realize now, was my imagination. While every other kid was reading and writing, I had seven whole hours a day to practice my imagination. When do you get that space in your life, ever?
I was writing short stories aged seven or eight. I had a vivid, overactive imagination.
I was never a great reader, but there were two stories I loved best: Kipling's The Elephant's Child and The Jungle Book. Deep down, I've always wanted to write a book about a wild child and an elephant.
I was never a great reader, but there were two stories I loved best: Kipling's 'The Elephant's Child' and 'The Jungle Book.' Deep down, I've always wanted to write a book about a wild child and an elephant.
I used to write stories a lot because you had to fill your hours some other way than watching television. So my imagination was vivid, and I used to write a lot of stories. I wrote a novel, which I still have, which is so awful.
"Stories don't always have happy endings." This stopped him. Because they didn't, did they? That's one thing the monster had definitely taught him. Stories were wild, wild animals and went off in directions you couldn't expect.
I had a wild imagination as a kid - wild! - and I was outside all the time, swinging around in trees by myself.
As far back as I remember, long before I could write, I had played at making stories. But not until I was seven or more, did I begin to pray every night, "O God, let me write books! Please, God, let me write books!"
Having room to run and having just the space to use your imagination and create stories out of everyday life, I think that had a lot to do with me wanting write. And write songs
Ever since I can remember, I've always wanted to tell stories, but I never had the patience to sit down at a typewriter and write short stories or anything like that. I started writing songs as a way of communicating ideas the best way I could.
Then there was Clark Ashton Smith, who wrote for Weird Tales and who had a wild imagination. He wasn't a very talented writer, but his imagination was wonderful.
The epic disappeared along with the age of personal heroism; there can be no epic with artillery.
When you raise a child, you don't sit down and take all the rules of life, write them into a big catalog, and start reading the child all these individual rules from A to Z. When we raise a child, a lot of what we do is let the child experiment and guide the experimentation. The child basically has to process his own data and learn from experience.
One thing I think about a lot is that one of my favorite pieces of narrative art as a child was 'Calvin and Hobbes.' I really saw myself in the character of Calvin. I was rambunctious, I didn't always follow the rules, I had a wild imagination.
I get to draw what I like to draw, basically people hangin' around, and write very humanistic kinds of situations and characters. But I do also like to draw adventure stories - more in terms of drawing them than writing them - and letting my imagination go wild.
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