A Quote by Arlo Parks
The way that I write is very instinctual and based off raw feeling--I'm a very emotional person and I think that comes across in my writing. Also the songwriting that I enjoy, for example Elliott Smith, Leonard Cohen and Nico tend to be both photographic and visceral.
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My friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation.
Elliott's bigger, stronger, maybe even a step faster than Emmitt Smith, but they're both very similar. I think, you know, Ezekiel Elliott is a more powerful runner. He runs over people. Both of 'em can make people miss, so you don't really get a big shot on 'em. But Elliott will take on tacklers, whereas, you know, Emmitt never did this.
Leonard Cohen has a way with words and with humor that remind me to lighten up, which I appreciate very much.
I think I was always writing books that had very clear scenic structures. I do tend to write in scenes. I do tend to have a fair amount of dialogue. And I do tend to use stories that don't sprawl all over the place, that have a very sharp focus in terms of how they unfold in time.
[I have] my own view about [Bob] Dylan's Nobel prize. Which is, I'm firmly in the Nay camp. I do think the award is a category error, but that's not why. Not in itself. What bothers me is the perceived status of the categories. If pop lyricists were routinely considered for the prize as are authors and poets, I'd still think it mistaken, but I wouldn't much care. But I am quite certain that Joni Mitchell and Leonard Cohen, for example, both at the very least Dylan's equals as writers, have never been in the running and never will be.
I think a lot of the inspirations for me are very instinctual and subconscious. I don't over intellectualize stuff much. It's a very instinctual thing.
I've never formally trained in acting, so I'm very instinctual and visceral with decisions.
I do own CDs by Neil Young, Leonard Cohen, and Joni Mitchell, but I don't think of them as being major influences on my writing.
When you fall ill, people send you CDs. Very often, in my experience, these are by Leonard Cohen
I'm a very emotional person, and I love feeling things, so I tend to approach things kind of openly.
Everybody has their own approach to songwriting. When you're an electronic musician, the whole writing process just depends. Some people have a very live way of writing electronic music, very improvisational. They set up a lot of gear and do live takes. I'm concerned with having a specific kind of sound. There's not one second that I haven't put thought into. I put almost as much time into my live shows as I do into writing music, but they're two completely different processes. Some people think the way I perform live is how I write songs, which isn't true at all.
I'm obsessed with Elliott Smith, which is very common knowledge.
Leonard Cohen can give you "Leonard Cohen" - the self-deprecating wit, the slow, considered speech, the perfectly-honed anecdote - Tom Waits is far more comfortable giving a journalist "Tom Waits" the character, whose conversation is really a series of strange tales, learned or ad-libbed.
I'm finding that writing poetry is strengthening my songwriting, because you're learning to make a piece of writing work on a page with nothing else. I was also finding within poetry I felt a lot more free to write about very different matters, to write about social issues or things that are going on around me.
I have received emails from readers who have said that they were emotionally impacted by the books, and they feel they are more environmentally aware and energized to do more. So that's hopeful to me. It is at least evidence of what I'm trying to do - trying to convey very intense emotional experiences by being very close in on character points of view to make you feel it in your body. That's one way to get the point across, by evoking a visceral response.
Ray Leonard is more the family man, kind of quiet. He's not as outgoing as Sugar Ray Leonard. Sugar Ray Leonard was very determined, very focused, very outgoing and very selfish, if you will. There are two different individuals there.
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