A Quote by Arlo Parks
I think that there was a part of me that hoped that maybe people will be able to connect to what I was saying. But it was quite a scary thing, actually, making that decision to put music out there, and to be so vulnerable.
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People are so fearful about opening themselves up. All you want to do is to be able to connect with other people. When you connect with other people, you connect with something in yourself. It makes you feel happy. And yet it's so scary, it makes people feel vulnerable and unsafe.
People are so fearful about opening themselves up. All you want to do is to be able to connect with other people. When you connect with other people, you connect with something in yourself. It makes you feel happy. And yet it's so scary - it makes people feel vulnerable and unsafe.
When I was younger, bands helped me connect to part of my humanity; bands that had nothing to do with anything political helped to form me. There's a correlation in that: If people can connect to music, maybe they can connect to each other.
The psychology for the person who's actually doing it is completely different. I think I probably needed to put that [hired-hand] psychology in my own head to be able to do the job. Otherwise it would just be too scary. People outside make it much bigger than me. I'm not saying in my head, "Oh, my god, what an amazing idea!" It scares me if I would do that.
I think maybe that as time goes by there will be more newness but because I was part of what it was before it's not like coming into a house and saying it's all about me. I don't feel like that. It really is all about McQueen and the things that he was trying to say and about moving that forward, making it relevant, making it desirable, making it into what people want to wear.
My job is exhilarating. It's challenging. I find that the governance part of it, the decision making part of it - actually comes - comes pretty naturally. I think I've got a great team. I think we're making good decisions. The the hardest thing about the job is staying focused. Because there's so many demands and decisions that are pressed upon you.
Part of me is super private, and I'm put in this position where it's scary sometimes because you never know what people are gonna think. It's just making sure that you show what you want to show and making sure that you're presenting your best self always and making the right decisions.
It's really hard for me to sometimes put myself out there, like 'Hey, how do you feel about making music together?' because maybe I'm afraid of rejection or I don't want to put anybody out. It's the Southerner in me, like, 'I don't mean to bother you but do you mind making a song?'
With anything you put out there, you're going to offend somebody, but most people get that it's a joke, that I'm playing a character, and that I'm actually making fun of what I'm saying by saying it.
Everybody's version of style is totally different and that's what I think keeps me going out on the street everyday is going out and kind of seeing the variations and what things maybe I'd never seen quite that way that I find very curious and how people will be able to communicate their own persona through their clothing, their posture, the way they wear their hair. I think all those elements end up becoming very interesting because I don't think I'm really particularly a people person. So for me I think it's interesting to kind of be able to read people in that way.
Will any club dominate again? Are any club set up to dominate again? When you look at the clubs that have dominated they've usually got a core five, six or seven players who can stay there for 10 to 15 years. There is a continuity with the management. I'm not quite sure at the moment that I'm seeing the decision making at any of the top clubs to be able to suggest that domination is actually achievable again. Maybe in the future, but I'm not quite sure it'll happen very soon.
The music brings me confidence and freedom. It's also the thing that can make me feel the most vulnerable. Once I finish writing all the songs for an album, once I actually record them, that whole process is usually easy and enjoyable. The part where I feel the most vulnerable is when it's all finished, I can make no more changes, I've turned it in, and there's no going back. All of a sudden I hear the songs in a different way; that's when I feel vulnerable.
There is always this thing of will you get too old for your part? But people are playing a lot younger than they actually are in real life. I don't think it's as big an issue as a lot of people are making it out to be.
I love making music but with that comes a lot of responsibility and you have to put yourself out there more. I'm learning as I go. The music has drawn me out of my shell. It's made me open my door a little more and be able to look at people in the eye. In that sense of the word, it has been helpful to me so I am happy now.
You know I think so many of us live outside our bodies. My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
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