A Quote by Armaan Malik

When 'Main Rahoon' released, it became a hit with the youth. — © Armaan Malik
When 'Main Rahoon' released, it became a hit with the youth.
My songs are my babies and I am protective about them, especially 'Main Rahoon Ya Na Rahoon' since I dedicated it to my grandfather.
When 'I'm Sorry' came out and became such a huge hit, that made 'Rockin' Around The Christmas Tree' start selling. Then that became a huge, huge hit.
I was young, so I was part of youth culture. The years went by, I became older and no longer part of youth culture, and I became more dependent upon the young people in the office and my own children.
Thus Carol hit upon the tragedy of old age, which is not that it is less vigorous than youth, but that it is not needed by youth.
The assumption is simply that I hit on all the things I've hit on so far by accident, that my talent is just this raw thing that pours out of me, and then white people feel like they have to come in and contain it, refine it, and bring it to the place where it can been released.
Microsoft's Windows 3.1, released in 1992, was the first truly successful edition of Windows and juiced the Redmond juggernaut. Apple's Macintosh System 7.5, released in 1994, was another in a string of versions that lacked key architectural features that the Mac didn't have until Steve Jobs returned and brought with him the code that became OS X.
Millions who could not follow closely or accurately the main events of the War looked day after day in the papers for the fortunes of Mafeking, and when finally the news of its relief was flashed throughout the world, the streets of London became impassable, and the floods of sterling, cockney patriotism were released in such a deluge of unbridled, delirious joy as was never witnessed again till Armistace Night, 1918.
In 2011, I released my first album called 'International Villager.' I had no support, and whatever money I had made, I put it all in the album. I shot the music video for 'Brown Rang' with one lakh dollars. I spent so much money, as I just wanted to put it up on YouTube, as I knew that my market was there, and it became a huge hit.
The main reason I got released from Shrewsbury in the first place was for what I was doing off the pitch.
There is this idea that appealing to youth is the only way forward. But that is no longer the case. Youth is not everything. Now we have all the baby-boomers in their 60s, like me, who are actively engaged in life - we're not retiring, we're not just being put out to grass once we hit 60.
Once I became an adult and started to pursue writing as a professional career, I realized my main characters were always young people. My stories naturally center around children and teenagers. I think it's because I have worked with youth for about twelve years. The pains and joys of adolescents are moments I witness on a daily basis, so their stories are always with me as I write.
I became an actor by doing school plays and youth theaters, and then National Youth Theatre of Great Britain. And then I did study at the London Academy of Music and Dramatic Arts. For me that was a good way to enter the field, to work in the theater.
I've been trying to challenge myself to be more explicit. I've always liked punk rock and Sonic Youth. I make that music privately, but I've never released it.
When 'Aashiqui' released there was no social media, yet it was a hit. Today we have the Internet which makes music very accessible to people.
When my second film 'Dus' released, I was still getting compliments for 'Tum Bin' because it was a hit on satellite channels.
Ever since I released my first album, I've tried not to use minor chords as the main element in songs. The way I sing is too melancholic.
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