A Quote by Armaan Malik

Salim-Sulaiman have always been my favourite. It's just an absolute pleasure working with them, and there's always something new you get to learn just by sitting in their studio and absorbing all that's happening around you.
Every time I attend a We Day event, I learn something new, and I always feel way more perspective not just for the world I live in, but also the world that's happening around me.
In regard to music, I just think that it's always best to have an attitude of being a perpetual student and always look to learn something new about music, because there's always something new to learn.
I began working as an assistant since the age of 16 with my father Dabboo Malik, went on to work with composers like Amar Mohile, Salim-Sulaiman, Pritam Da, and Sandeep Chowta.
When I'm doing a drawing, I get lots of ideas I use them in my songs, even. I do a lot of drawings because that's where I get most of my spending cash and I just always have to have new records, to get something to satisfy my listening pleasure.
My favorite part about my job is not that it is never boring; it is that it is always exciting. There is always something new to learn. There is always something interesting to get from someone else. Whether it is an actor, or a sound engineer, there is so much to learn and there will never be nothing to learn. There is always something there.
I don't care if someone is new to acting or experienced in acting: you always learn something from them. It's just like people in life - whether they're young or middle-aged or old, you always learn something from someone.
In regard to music, I just think that it's always best to have an attitude of being a perpetual student and always look to learn something new about music, because there's always something new to learn. Don't dismiss something out of hand because you think it's either beneath you or outside of the realm of where your interests lie.
There's always music sitting around, but when you're cultivating music, the idea of getting into a studio and compressing it to get something out on time can be really good.
It's been an obsession of various genres, disciplines, and aspects and elements of movie-making. It's always been something that I've really aspired to, so doing something new and different, reinventing myself and working with new people is just the passport to the amazing world that is the movies.
I've always spent a lot of time in movie theaters, kind of absorbing anything I can. I just love sitting in the dark, and watching the flickering image up there. Just sitting in a movie theater alone is inspiring to me. It takes a pretty bad movie to drain the magic out of that - but Lord knows, those movies exist.
I've always been someone that always likes to do things, and I don't like to be sitting around: I get nervous when I sit around.
I love working with the youth. I am just as new to the gospel as lot of the kids, so I get just as much out of it as they do. Just being around them makes it one of the best callings.
I was lucky to work with some of the big names such as Anu Malik, Himesh Reshammiya, Sajid Wajid, Salim Sulaiman, Mithoon, Jeet Ganguli and Pritam. I have learnt a lot from all of them and have practically grown as an artist with every song that I have rendered.
I like to try to get around the younger generation to just encourage them. But I've always been afraid of coaching because I was always hard on myself as a player.
Motherhood is an amazing feeling, and if you get to relive those special moments while working, it works as an icing on the cake. Kids have always been close to my heart, and working with them is a pleasure for me.
I was always quite good at fixing and working with cars. My dad's always dealt cars, and I've always been brought up around them. They're one of the things I've always been interested in.
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