A Quote by Armaan Malik
Even I would be unhappy if the final track did not sound good to me, which is why I stay in the loop with the music team till the song is ready.
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When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.
I loved the idea of recording. The idea of sound-on-sound-recording captured me as a young kid, and once I realized what it was I had an epiphany. Before I was even playing the guitar, I would create these lists of how I would record things and overdub them, like Led Zeppelin song, 'I could put this guitar on this track...' and so on.
As soon as they say I don't sound as good as my old stuff, I tell them, "I would never sound as good as I first sounded, because you guys didn't know who I was. Being that I'm in rotation, you guys are getting used to the sound, so now you expect another track and another track, but it never happens again, no matter how hard I try."
"My Trigger" is the best combination of song and track. "Heart Is Full" is maybe the best song we've done as a song, and that's why we try to play it in different ways, too, because I think for a lot of people the track was a bit distracting from the song.
My job on a film is to be responsible for all the sounds in the movie besides the music. Together with my team, we work on the dialogue, foley, sound effects, and sound design. We work closely with the director and picture editor in the prep period, and then together with them, the sound mixers, and music crew, we collaborate on the final mix of the film.
I always say that when I was recording with Phil Spector, he would not let me really sing, you know? And even to make me sound younger, he would speed the track up. He still wanted that real nice, little, quiet, sweet little sound.
I was captain of the netball team, captain of the hockey team and I did my sprinting, but I would push myself. That's why yoga is really good for me because it actually slows me down and finds some sort of space for me.
If I go to a nightclub, even if the music is good, if the sound system is not, I don't stay.
And we would play together, like fine musicians should, And it would sound like music, and the music would sound good. But in real life I'm stuck with that same old formula, me and my monophonic symphony, six string orchestra.
When I got the call to do a song for the sound track for this little movie that I was told was called 'Dancing Dirty,' I wasnt that wild about the idea. Probably no one would ever see it. What good would it do? But I said: 'What the heck... I've got nothing better to do.'
I did a track with Khao, out of Atlanta, who's worked with T.I. Did a track with Maylay, who did a lot with John Legend's album. I got in the studio with Kanye West; we did a song. The dedication for the career takes a lot of work, but if you love it, it's worth it.
I think of every double-decker loop as another loop towards my death. And that is why I've always thought of the double-decker loop as - each loop as a continuous and individualized search for perfection.
I like to sort through music and see whatever pops out to me or inspires me. If I could have a production team going and kind of mix records with me, that would be cool; to take the records and have them sound the way I want them to sound. But I'd rather sort though music to find them things.
Why did the generals who have been so ready to term me a complaisant and incompetent yes-man fail to secure my removal? Was that all that difficult? No, that wasn't it; the truth was that nobody would have been ready to replace me, because each one knew that he would end up just as much a wreck as I.
I have to enjoy the music I'm making, so it's also important for me that, if I'm working on a track with someone, I have a good connection with them - which is why I often stick to working with buddies of mine.
I am a firm believer in playing the type of music that compliments the song the best. If it's a folk song make it sound like one. If it's a rock song make it sound like one, if it's a rap song take it off the record.
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