A Quote by Armand Assante

I live a very quiet life, although I'm very urban and a diehard New Yorker. — © Armand Assante
I live a very quiet life, although I'm very urban and a diehard New Yorker.
I live a very quiet life, although I'm very urban and a diehard New Yorker
There are always things I find difficult - being in crowds, remembering faces. I do like routines. I always travel with someone. My life in Avignon is a very quiet one. I have an apartment that looks over the whole city. I can drop into town, but a lot of the time I write from home. In some respects I still live a very quiet, simple life.
'All In' is like the Giants motto, so I kind of took that, and I kind of used New York as the backdrop - how diehard New Yorkers are for their team. Me being a New Yorker, I just had to show my love for the city as well as my love for the New York Giants.
Most magazines have peak moments. They live on, they do just okay, or they die. 'The New Yorker' has had a very different kind of existence.
When I took over 'The New Yorker,' there was a very, very good, smart staff in place.
Every true New Yorker believes with all his heart that when a New Yorker is tired of New York, he is tired of life.
The art editor in charge of the covers at the 'New Yorker' is Francoise Mouly. She's very familiar with the eccentricities and personalities of cartoonists, so working with her is very easy.
It's very claustrophobic to live a life which is not really how you wanted to live. You are forcing yourself to be quiet and behave like someone you are not.
It took me a long time to be able to write for the 'New Yorker,' and for me, that has been the best job. I live a very conventional life, but reporting for the magazine has allowed me to do things I would never otherwise do, such as investigating a criminal conspiracy in Guatemala or trekking through the Amazon looking for a lost city.
My family is very New Yorker.
Death is not the end, but the beginning of a new life. Yes, it is an end of something that is already dead. It is also a crescendo of what we call life, although very few know what life is. They live, but they live in such ignorance that they never encounter their own life. And it is impossible for these people to know their own death, because death is the ultimate experience of this life, and the beginning experience of another. Death is the door between two lives; one is left behind, one is waiting ahead.
My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones.
I have a very, very normal life. I really do - with the exception of being very lucky and privileged. I have two children, a dog, and a husband. We live in New York, the kids go to school, and we're fortunate that we have flexible schedules. I like that. That's what I want.
Another example of what I have to put up with from him. But there was a time I was mad at all my straight friends when AIDS was at its worst. I particularly hated the New Yorker, where Calvin [Trillin] has published so much of his work. The New Yorker was the worst because they barely ever wrote about AIDS. I used to take out on Calvin my real hatred for the New Yorker.
I've - that I regret. That was stupid and ignorant on my part. I went to a party as a guest of a friend of mine, a lawyer. And he had a client who I didn't know, except - maybe I'm pretending I didn't know, but he was a big investor in The New Yorker. And as I found out later in a book about The New Yorker, this guy was very unhappy about [Bill] Shawn.He thought Shawn was spending out - spending too much money on writers.
When I was writing 'Bad Behavior,' I was very, very quiet. I would just sit there and listen to people. And if I was out in public, I was usually quiet, and people tended to assume I was stupid because I was a young, pretty girl who's quiet.
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