A Quote by Armando Iannucci

The last thing I want to do is use my comedy as a partisan tool or as a method for preaching. — © Armando Iannucci
The last thing I want to do is use my comedy as a partisan tool or as a method for preaching.
Comedy is a great tool. We [comics] are trying to find ways to use humor to enlighten people without preaching to them.
The only difference between comedy and drama is that, in comedy, I'm going to utilize the tool of creating laughter to deflect discomfort and, in drama, I won't use a tool, but we're going to actually deal with the discomfort and see what comes out of it.
I was young not too long ago, and I know the last thing you want is someone preaching to you.
Sometimes when you have multimedia, people use it too much. It has to be a tool and not the end product, if you can use it as a tool. The same thing apples when you are recording. We had this problem in the 80's, we got so computerized there was no heart and soul in the music anymore.
Are you a person—with volition and maybe some stubbornness and at least the capacity if not the actual determination to do something surprising—or are you a tool? A tool just serves its user. It’s only as good as the skill of its user, and it’s not good for anything else. So if you want to accomplish something special—something more than you can do for yourself—you can’t use a tool. You have to use a person and hope the surprises will work in your favor. You have to use something that’s free to not be what you had in mind.
I think romance is a tool, comedy is a tool and drama is a tool. I really just want to tell stories that challenge the viewer, move people, make you laugh, perhaps push an idea about being open-minded but never settle on a genre or an opinion. I hate genre. I like movies that are original in their approach.
I think this is irresponsible preaching and very dangerous, and especially when it is slanted toward children, I think it's totally irresponsible, because I see nothing biblical that points up to our being in the last days, and I just think it's an outrageous thing to do, and a lot of people are making a living—they've been making a living for 2,000 years—preaching that we're in the last days.
Ma Ying-jeou tends to use cross-strait policy as an election tool and a political tool, too, and my position is that we don't use that as a political tool because that is an issue that is critical and essential to the interests of the Taiwanese people.
I don't take myself as seriously as some people think, and I'd hate anyone to think I was preaching. That's the last thing I want.
I really believe that comedy is an incredible tool, and you can use it in many ways.
I think my imagination dictates the technologies I use. But at the same time, my imagination can be technologic. Sometimes I see a tool and I know immediately how to use it, but most of the time I use the tool for an idea I already have.
He who experiments must, while doing so, divest himself of every preconception. It is clear then that if we wish to make use of a method of experimental psychology, the first thing necessary is to renounce all former creeds and to proceed by means of the method in the search for truth.
I believe that improvisation is really just a directorial tool. It's a writing tool. It's not so much that the actors get to say whatever they want, whatever pops into their head. It's an opportunity to write the last draft of the screenplay as you're working on it.
People use the Method as a shield; it shields them from being vulnerable. I hear all these young actors who are like, 'I'm Method, I'm gonna go live in the house, you know, I totally get it, I've done it, I've been there', but one thing I know is it kills spontaneity.
Among provocative, the next best thing to good preaching is bad preaching.
The usual method of finding a little dongly thing that actually matches a gizmo I want to use is to go and buy another one, at a price that can physically drive the air from your body.
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