A Quote by Armistead Maupin

I've included these little jokes and mysteries in my writing for the amusement of readers. — © Armistead Maupin
I've included these little jokes and mysteries in my writing for the amusement of readers.
A great Chicano forebear of mine in writing is Rolando Hinojosa-Smith. He was writing good border mysteries for Chicano readers back in the '80s and '90s.
Engage with your readers as often as you can. Readers, myself included, want a relationship with everyone in their lives, even the people behind the pages of their favorite books.
Tweeting is a great way to practice writing jokes, but there is so much more to comedy writing than just jokes. Jokes are a necessity, but you also have to learn how to write characters, to break a story, to keep coherence between episodes. I've learned more by being a TV writer than I ever could've on my own.
The most reward experience is having another writer come up to you and say that they started writing because they read my books. That is how writing as a profession continues: readers becomes writers who inspire new readers.
I got a pit bull from a shelter, so my whole life is centered on this dog, and I've been writing a lot of dog jokes. I should probably give up now, because I'm writing jokes about my dog.
Part of my motivation for writing mysteries for young people is that I loved mysteries when I was growing up, and now that I'm on the creative end of things, I'm discovering that they're even more fun to write!
I guess it's just another one of life's little mysteries." "I'm tired of mysteries." "Yeah? I think they add a kind of zest to the world. Like salt in a stew.
People are writing shorter jokes. The style I've started with was almost trying to keep jokes under 140 characters before Twitter.
I made a decision to write for my readers, not to try to find more readers for my writing.
A lot of people get into stand-up as a back door into acting or something. But I really like writing jokes and telling jokes.
I realized, in removing or rewriting these jokes, that often the jokes weren't done or that I was using, for me, the curse words as kind of a crutch. So then I just started writing.
There are jokes I know I want to tell, and there's sort of a rough order, but usually I try to change it up every show, to improvise and talk with the audience. I think when you tell jokes, if you're not careful, you can end up telling the whole list of jokes and then that's it. And that can get a little boring.
The great thing about writing jokes for President Obama is that he is not afraid to tell jokes that are actually funny - and not just funny for a politician.
Don't hedge your prose with little timidities. Good writing is lean and confident. . . . Every little qualifier whittles away some fraction of the reader's trust. Readers want a writer who believes in himself and in what he is saying. Don't diminish that belief. Don't be kind of bold. Be bold.
How to read writers on writing: With respect, amusement, and skepticism. They will contradict one another-as they should-for each writer brings an individual history to the writing task. There is no single theology here.
I do Twitter, but I'm still not great on it - I'm not good at writing short little jokes, so my Twitter's not really a jokey thing.
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