A Quote by Arnold Bennett

Nearly all bookish people are snobs, and especially the more enlightened among them. They are apt to assume that if a writer has immense circulation, if he is enjoyed by plain persons, and if he can fill several theatres at once, he cannont possibly be worth reading and merits only indifference and disdain.
Jill Eisenstadt is a writer of many admirable gifts. Foremost among them are a sharp eye for people, a playful love of language, and, it's probably safe to assume, nearly boundless energy.
A children's story that can only be enjoyed by children is not a good children's story in the slightest." He also said: "No book is really worth reading at the age of ten which is not equally - and often far more - worth reading at the age of 50 and beyond.
Especially among Christians in positions of wealth and power, the idea of reading the Gospels and keeping Jesus' commandments as stated therein has been replaced by a curious process of logic. According to this process, people first declare themselves to be followers of Christ, and then they assume that whatever they say or do merits the adjective "Christian".
To limit the press is to insult a nation; to prohibit reading of certain books is to declare the inhabitants to be either fools or slaves: such a prohibition ought to fill them with disdain.
Very few people become enlightened in any given lifetime. On the planet earth their might be a dozen who are fully enlightened and several thousand who live in enlightened states of mind.
One of the dangers of the American artist is that he finds himself almost exclusively thrown in with persons more or less in the arts. He lives among them, eats among them, quarrels with them, marries them.
A writer must know how people read, what are the main sources of reading errors, and what can be done to possibly forestall them.
In the final analysis, national struggle is a matter of class struggle. Among the whites in the United States, it is only the reactionary ruling circles that oppress the black people. They can in no way represent the workers, farmers, revolutionary intellectuals and other enlightened persons who comprise the overwhelming majority of the white people.
I believe that half the trouble in the world comes from people asking 'What have I achieved?' rather than 'What have I enjoyed?' I've been writing about a subject I love as long as I can remember--horses and the people associated with them, anyplace, anywhere, anytime. I couldn't be happier knowing that young people are reading my books. But even more important to me is that I've enjoyed so much the writing of them.
When people, women included, hear that you are writing, they assume that it is simply a hobby to fill in the time between doing the washing-up and the ironing. It couldn't possibly be a profession.
Democracy appears to be safer and less liable to revolution than oligarchy. For in oligarchies there is the double danger of the oligarchs falling out among themselves and also with the people; but in democracies there is only the danger of a quarrel with the oligarchs. No dissension worth mentioning arises among the people themselves. And we may further remark that a government which is composed of the middle class more nearly approximates to democracy than to oligarchy, and is the safest of the imperfect forms of government.
As in the sexual experience, there are never more than two persons present in the act of reading-the writer, who is the impregnator, and the reader, who is the resspondent. This gives the experience of reading a sublimity and power unequalled by any other form of communication.
I enjoyed reading and learning at school, and at university I enjoyed extending my reading and learning. Once I left Cambridge, I went to Yale as a fellow. I spent two years there. After that, George Gale made me literary editor of 'The Spectator.
I enjoyed reading and learning at school, and at university I enjoyed extending my reading and learning. Once I left Cambridge, I went to Yale as a fellow. I spent two years there. After that, George Gale made me literary editor of 'The Spectator.'
If a book is worth reading at all, it is worth reading more than once. Suspense is the lowest of excitants, designed to take your breath away when the brain and heart crave to linger in nobler enjoyment. Suspense drags you on; appreciation causes you to linger.
There is always need of persons not only to discover new truths, and point out when what were once truths are true no longer, but also to commence new practices, and set the example of more enlightened conduct, and better taste and sense in human life.
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