A Quote by Arnold Gehlen

From now on there is no longer any development immanent to art. The times have passed for history of art with a logical sense. There is no longer even any consistency in absurdities; the development has been wound up, and what comes now already exists: the syncretism of a muddle of all styles and possibilities, post-history.
Art history is fine. I mean, that's a discipline. Art history is art history, and you start from the beginning and you end up in artist in time. But art is a little bit different. Art is a conversation. And if there's no conversation, what the hell is it about?
Imagine it's 1981. You're an artist, in love with art, smitten with art history. You're also a woman, with almost no mentors to look to; art history just isn't that into you. Any woman approaching art history in the early eighties was attempting to enter an almost foreign country, a restricted and exclusionary domain that spoke a private language.
I start by thinking I'm going to make use of all possibilities without troubling any longer about problems when something starts to be art. I don't make the ETERNAL work of ART, I only give visual information.
Religion can no longer rest its claims on a dogmatic supernaturalism, because any dogma that is irreconcilable with tested knowledge must be rejected... One sentence ... sums up the dark and deadly pages of Chistian history: "If we believe absurdities, we shall commit atrocities."
Directing takes a lot longer than acting. This was about seven years in development, and then two and a half years with pre-production, production, post and now the release. Not that I have people banging on my door to star in movies, but it takes me out of the acting game for a longer chunk of time.
Art is the suitcase of history, carrying the essentials. Art is the life buoy of history. Art is seed, art is memory, art is vaccine.
If art is any good, it has so much of a longer trajectory than one night. Contemporary art is separate from art openings. In the end, it depends on the strength of ideas in each piece.
Let's say that history is what happened. The record of what happened is how each individual happens to see those events. They've already been ?ltered. When the historian or biographer takes over, history is no longer exactly what happened, because there has been a process of selection going on; it's impossible to write about anyone, any event, in any period of time, without in some way imposing, even unconsciously, your own standards, your own values.
It has become a cliché to announce that 'we live in a remix culture'... What was referred to in post-modern times as quoting, appropriation, and pastiche no longer needs any special name. Now this is simlpy the basic logic of cultural production.
When I started in the comic book business, 'Art Of' books were strictly the provenance of the greats, like Rembrandt and Da Vinci. But times change, and so do attitudes. Now the comic is considered an art form, and I hope 'A Life in Words and Pictures' contributes a little to that art form's history.
So long as the processes of healing were not understood and man thought that the power to heal resided in substances and things outside of him, he logically sought for extrinsic means of healing, and a healing art was a logical development. The system of medicine, as we know it today, was a logical development out of the fallacy that healing power resides in extrinsic sources.
In this way, history now inscribes itself in real time, in the 'live', in the realm of interactivity. Consequently, history no longer resides in the extension of territory.
We must be able to appreciate and enjoy the places where we tarry and yet pass on without anguish when we are called elsewhere. In our spiritual development we are often required to pull up roots many times and to close many chapters in our lives until we are no longer attached to any material thing and can love all people without any attachment to them.
The history of art is not just the history of artists; it is also the history of the people who viewed art. And that wider perspective can help us see some of the reasons why the art of the ancient world should still matter to us.
Art gives life to what history killed. Art gives voice to what history denied, silenced, or persecuted. Art brings truth to the lies of history.
I think we're a band with a lot of history now so it's nice to come up with something that doesn't have any history at all.
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