A Quote by Arnold Mindell

Arya Maloney updates the basis and practice of transpersonal psychology by using the spiritual principles of India's masters and the transformational alchemy inherent in his clients' processes. His work is both enlightening and informative.
How can one know who his spiritual teacher is?...His heart looks at the spiritual Masters and makes the choice. When the heart sees a spiritual Master, if it is overwhelmed with joy, then there is every probability that that spiritual Master is the right one for the seeker.
When a photographer masters the tools and processes of the art, then the quality of the work is only limited by his creative vision.
It's part of a writer's profession, as it's part of a spy's profession, to prey on the community to which he's attached, to take away information - often in secret - and to translate that into intelligence for his masters, whether it's his readership or his spy masters. And I think that both professions are perhaps rather lonely.
Theodore Roosevelt crafted a masterpiece of service. He served people in every aspect of his life. His legacy was transformational, encompassing his family, his nation and the world.
I admire Ai Weiwei for his art and his activism. His art is beautiful in form, and in function embodies the principles of populism and social consciousness I aspire to in my own practice.
The science of psychology has been far more successful on the negative than on the positive side... It has revealed to us much about man's shortcomings, his illnesses, his sins, but little about his potentialities, his virtues, his achievable aspirations or his psychological health... We must find out what psychology might be if it could free itself from the stultifying effects of limited, pessimistic and stingy preoccupations with human nature.
The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.
Modern man lives isolated in his artificial environment, not because the artificial is evil as such, but because of his lack of comprehension of the forces which make it work- of the principles which relate his gadgets to the forces of nature, to the universal order. It is not central heating which makes his existence 'unnatural,' but his refusal to take an interest in the principles behind it. By being entirely dependent on science, yet closing his mind to it, he leads the life of an urban barbarian.
Former Congressman Aaron Schock was applauded for his fitness when he flaunted his six pack on the cover of 'Men's Health.' Using his sweet pecs didn't end his career, although using taxpayer money to lavishly decorate his office did.
Inclusivism: Whereas Exclusivists regard general revelation as informative only and special revelation as both informative and salvific, Inclusivists, by contrast, regard general revelation as both informative and salvific and special revelation as even mere deeply informative and even more effectively and widely salvific!
There is nothing so bad or so good that you will not find Englishmen doing it; but you will never find an Englishman in the wrong. He does everything on principle. He fights you on patriotic principles; he robs you on business principles; he enslaves you on imperial principles; he bullies you on manly principles; he supports his king on loyal principles and cuts off his king's head on republican principles.
We have no inherent holiness. We are holy as we are possessed by the Holy Presence. We are holy in His holiness, loving in His love, strong in His strength, tender in His tenderness, patient in His patience, calm in His peace, and consecrated in His consecration.
Schinkel was not arbitrary in his use of historical modes but rather eclectic in the best sense of the word. He could search the past for its conspicuous successes using them both freely and discursively as the basis for a contemporary architecture.
I think it's a little simplistic to explain a work through the psychology of its author. In other words, that Haneke has emotional problems, so I don't have to take his films seriously. By using this argument, the viewer retreats from the challenges of the film.
Actually, I think my view is compatible with much of the work going on now in neuroscience and psychology, where people are studying the relationship of consciousness to neural and cognitive processes without really trying to reduce it to those processes.
Gene Colan was like no other artist of his generation. His ability to create dramatic, multi-valued tonal illustrations using straight India ink and board was unparalleled.
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