A Quote by Arnold Newman
I often wonder whether I would have done as well in painting.
Related Quotes
When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.
When I do a Western, I often wonder what I would have really done in that situation.
I often wonder whether Negroes like myself who are pretty well known help out at all in breaking down barriers.
I got offered that role in Transamerica that Felicity Huffman did. That was a part that I was like, "Well, maybe I should've done that." I'm at peace with it, but that is one thing that I did turn down that went on to do great things for her. I wonder what would've happened if I would've done that.
When it’s all said and done, I want to be able to say I got the most out of my potential. I don’t want to look back, however many years from now, and say, ‘I wonder if I would have worked a little harder. I wonder if I would have done this or done that, how things would have turned out.’ I want to, when it’s all said and done, be able to put my head on my pillow and say, ‘I did everything I could do — good or bad.’
If I were not African, I wonder whether it would be clear to me that Africa is a place where the people do not need limp gifts of fish but sturdy fishing rods and fair access to the pond. I wonder whether I would realize that while African nations have a failure of leadership, they also have dynamic people with agency and voices.
We throw all our attention on the utterly idle question whether A has done as well as B, when the only question is whether A has done as well as he could.
All I've ever done is work in bars and be a wrestler; I often wonder if I'd have pumped gas, would I have been a womanizer and had addiction problems?
Even if my film does well, you will not see me blowing my own trumpet. There is no time to sit and dwell on whether it's done well or not done well.
The idea of an isolated American painting , so popular in this country during the thirties, seems absurd to me, just as the idea of a purely American mathematics or physics would seem absurd... And in another sense, the problem doesn't exist at all; or, if it did, would solve itself: An American is an American and his painting would naturally be qualified by the fact, whether he wills or not. But the basic problems of contemporary painting are independent of any one country.
When we paint, whether it is on our bodies for ceremony or on bark or canvas for the market, we're not just painting for fun or profit, we're painting as we always have done to demonstrate our continuing link with our country and the rights and responsibilities we have to it.
She really was pretty, for a grown-up person, but when you are seven, beauty is an abstraction, not an imperative. I wonder what I would have done if she had smiled at me like that now: whether I would have handed my mind or my heart or my identify to her for the asking, as my father did.
The painting is always done very much with [the model's] co-operation. The problem with painting a nude, of course, is that it deepens the transaction. You can scrap a painting of someone's face and it imperils the sitter's self-esteem less than scrapping a painting of the whole naked body.
I often wonder when I make a film - I'm thinking of making a film of the Buddha - and I often wonder: If Buddha had all the elements that are given to a director - if he had music, if he had visuals, if he had a video camera - would we get Buddhism better?
But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it.
I wonder if there was anything I would have done differently. I hope I would have done everything differently, except I know everything would have turned out the same. That's the meaning of fate.
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