A Quote by Arnold Palmer
A lot of tournaments that I can remember I made a few bad shots and I was afraid I would lose the tournament and it seemed to work, the putts seemed to go in. Just the Desire.
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I just remember I used to go to each tournament to make a couple bucks. I did as a living thing; I got paid to do martial arts, so I'd go to these jiu-jitsu tournaments and make, like, $1000 every time I won the tournament.
I've been singing for a really long time and I love a lot of genres, but country just seemed like the best fit. The people in that genre are just so nice and welcoming. And that seemed so appealing. Also my voice fit it and seemed like the way to go.
I would have been an archaeologist or something, maybe a historian. There are a lot of things I would have liked to have done differently, but everything that happened to me made me the person I am today. No matter how negative it seemed at the time or whatever hardship it seemed to have been at that time, Im just the sum of all those amazing experiences.
I don't play a lot of tournaments, but if I don't win a tournament in a year, people are like, 'What in the world is going on?' People don't realize how hard it is to win tournaments. You're not going to go out and play 10 tournaments and win one of them. Your odds aren't that good.
I had no real photography experience, thankfully. I consciously took a lot of crowd shots. I was influenced by Seattle photographer Charles Peterson, who always seemed to incorporate fans in his live band shots.
In the beginning I just was dreaming about working in fashion at all, no matter what the role would be, and it just seemed so unlikely. I was living in San Diego and it seemed so far away.
Underground comics were striking in that they seemed largely unedited - in a typical book, with stories by five to ten creators, some stories would be shockingly bad, and others would be startlingly brilliant. This was a lively and exciting combination. The artwork and stories, good and bad, were all so different - I'd stare at the pages and lose track of time. This was a world where anything could happen, and I wanted to go there.
In 2013, I changed to left-hand low, or cross-handed. And it's helped a lot. At the time, the reason I switched was just a lot of inconsistency with putting. I was either making a lot of putts, or I was missing a lot of putts.
If I lose early in the tournament, I can work out and try to improve. When the tournament is done, I'm just trying to get well and work on the recovery for the next day.
It seemed the world was divided into good and bad people. The good ones slept better while the bad ones seemed to enjoy the waking hours much more.
I was sick and tired of reading other people's epigraphs. They all seemed to be in ancient Greek, middle French or, when they were translated, they never seemed to relate to the book at hand. Basically, they seemed to be there just to baffle you and to impress you with how smart the writer is.
I got this idea about being afraid to let go of something and being afraid of sinking into a state of almost anesthesia, where you have to trust other people. Just the paranoia of it all. And it seemed to suit the frenetic track. So I just wrote it out and, you know, said it.
Looking back, it seemed like it should have been harder to lose someone, or have them lose you, especially when they were in the same state, only a few towns over.
I was working more on a primal, instinctive level. And it just seemed to suit me; it seemed to suit my concentration span, it seemed to suit my personal style of performance, and I have fallen in love with film acting.
Going to New York to do whatever - show business - it just seemed fun. It seemed fun to go to the big city and meet all kinds of different people and maybe be famous. It was just exciting. So I wasn't scared
Going to New York to do whatever - show business - it just seemed fun. It seemed fun to go to the big city and meet all kinds of different people and maybe be famous. It was just exciting. So I wasn't scared.
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