A Quote by Arnold Schoenberg
Lucidity is the first purpose of color in music.
Related Quotes
No blur of inexactness, no cloud of vagueness, is allowable in good writing; from the first seeing to the last putting down, there must be steady lucidity and uncompromise of purpose.
Painting is drawing, with the additional means of color. Painting without drawing is just 'coloriness,' color excitement. To think of color for color's sake is like thinking of sound for sound's sake. Color is like music. The palette is an instrument that can be orchestrated to build form.
Here's the thing: every office I've run for I was the first to win. First person of color. First woman. First woman of color. Every time.
For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go.
Because it's our first official album, we wanted to show our color, the color of Blackpink. We wanted to present an image that people would think of when they think of Blackpink, and what kind of music we put out... we channeled the girly side of ourselves and performed according to the girly lyrics.
I definitely associate music with color. For example, my first record has a red cover but it is totally green and blue to me.
Red is the first color of spring. It's the real color of rebirth. Of beginning.
Always been purple. Like I remember being in the first grade, looking up at the color charts, and saying, 'Man, purple is the best color, man, it's the best color, it just is the best color.' I have a lot of purple shirts and stuff, I'm always wearing purple.
Color is a plastic means of creating intervals... color harmonics produced by special relationships, or tensions. We differentiate now between formal tensions and color tensions, just as we differentiate in music between counterpoint and harmony.
I teach a graduate seminar called "Theorizing Improvisation" that is pretty interdisciplinary, but really makes students deal with black studies seriously. A lot of authors of color, a lot of women of color - those become central to the intellectual trajectory. It considers music, but it also considers areas of thought that might seem unrelated to music. That's partly because we're expanding the notion of what music is beyond objects, beyond scores, beyond things.
Color is all. When color is right, form is right. Color is everything, color is vibration like music; everything is vibration.
Ilaiyaraaja is my most favourite music director. His music was my lullaby, his music was my food, his music was my childhood, his music was my first love, his music was my failure, his music was my first kiss, my first love failure, my success... he is in my blood.
Music may appeal to crude and coarse feelings or to refined and noble ones; and in so far as it does the latter it awakens the higher nature and works an effect, though but a transitory effect, of a beneficial kind. But the primary purpose of music is neither instruction nor culture but pleasure; and this is an all-sufficient purpose.
Dark green is my favorite color. It's the color of nature and the color of money and the color of moss!
When Ozzie Virgil became the first Dominican player in the majors, his nationality was barely noticed. What the press and fans talked about was his skin color. He was the first black player on the Detroit Tigers, and a great deal of attention was paid to him as someone who crossed the color line.
My purpose is, indeed, a horse of that color.
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