A Quote by Arnold Schwarzenegger
For 20 years, Simon & Schuster asked me, 'Why don't you write your autobiography?'
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I was incredibly determined - I wrote short stories, I wrote the beginnings of novels. I wrote a little children's book and sent it to the editor-in-chief of the children's division of Simon and Schuster and she asked me to write a little children's book for a series she was doing.
The best advice on writing was given to me by my first editor, Michael Korda, of Simon and Schuster, while writing my first book. 'Finish your first draft and then we'll talk,' he said. It took me a long time to realize how good the advice was. Even if you write it wrong, write and finish your first draft. Only then, when you have a flawed whole, do you know what you have to fix.
When I started work at Simon & Schuster in 1958, each of us got a bronze paperweight on which was written, in raised type, 'Give the reader a break,' Richard E. Simon.
When I write my autobiography after 20-25 years, I want 2014 to be the weakest year of my life.
The problem with Alien Voices 'was we had four really terrific years. And then it began to be about selling: Simon & Schuster wanted whatever, 40,000 units sold a year.'
I am writing my second novel for children for Simon and Schuster.
I've been asked to write my autobiography and really they only want 8 years (1962-1970), and I keep saying it would be five volumes before I even got into the band!
Philip Larkin didn't write for several years before his life ended. And when he was asked why he didn't write, he said the muse deserted him. And when I read that, it really had a profound effect upon me, sort of scared me. So that's why I think I have no right to assume that some thought is going to come... But I think, in my imagination, if it is it, there will probably be something else I'm interested in.
Most people write a lot of autobiography, but when I came to write autobiography I discovered that nothing interesting had ever happened to me. So I had to take the situation and invent stories to go with it.
Hillary has already gotten a record $8 million advance from Simon & Schuster for the book -- reportedly the most anyone has ever received for rewriting history.
How are we doing, Simon?" she whispered into the small microphone in her collar. "Just about..." Simon started slowly. And then he stopped. "Wow." "What?" she asked, panic in her voice. "Nothing," he said too quickly. "What?" she asked again. "Well...it's just that...your boobs look even bigger on TV." Kat took that opportunity to turn and glare at the nearest security camera. In his bathroom stall thirty feet away, Simon nearly fell off the toilet.
I was told that the fact that I had nothing but good things to say about Judith Regan distinguished me. I enjoyed writing for Judith. I really enjoyed working with Victoria Wilson at Knopf, and Simon & Schuster, they've all been great experiences.
I'm the female Simon Cowell. He said I'm the scariest woman he's ever met. I asked him why he never dated me, and he said I was too intimidating.
Yes, one uses what one knows, but autobiography means something else. I should never be able to write a real autobiography; I always end by falsifying and fictionalizing—I’m a liar, in fact. That means I’m a novelist, after all. I write about what I know.
I've actually published two compilations, if only barely. Hire a private detective and possibly you'll be able to locate them. One was called 'Violent Screen,' and the other 'Now Playing at the Valencia.' Bantam and Simon and Schuster.
I'm often asked by younger filmmakers, 'Why do I need to look at old movies?' I've made a number of pictures in the last 20 years and the response I have to give them is that I still consider myself a student. The more pictures I've made in 20 years, the more I realize I really don't know. And I'm always looking for something or someone that I could learn from. I tell the younger filmmakers, and the young students, that do it like painters used to do—that painters do—study the old masters, enrich your palette, expand the canvas. There's always so much more to learn.
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