A Quote by Arnold Schwarzenegger
In acting class, you talked always about keeping it real and don't act... connect with the people and connect with the partner that you're acting with. The same is also true in politics.
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In acting class they tell you that you have to be real, connect with the people, connect with your partner. The same as politics, you have to connect to the people.
My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
You know I think so many of us live outside our bodies. My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
There was a time in my acting career, where I was trying to figure out if acting was the thing to do. You know? I was always on this journey of trying to learn more about humanity and people - using the characters and situations as guideposts. I could switch up and do another job as long as I'm continuing that same search and that same journey of revealing my connection to humanity and the universe. And directing gives me the opportunity to explore ALL these different lives and their connection to their environments and the people. And I get to connect to the wires of the universe.
The acting background helped a lot when I started writing. I was training for it. In acting class they teach you about the stakes in a scene (and) what motivates characters. When you bring a scene to class - as an actor with your scene partner - you have to do everything. There's no producer, set decorator or anything like that. You and you partner have to do everything and that's kind of like facing the blank page as a writer.
Real sexual conversations are enormously intimate and beautiful because they reveal so much about who we are and what we want. What are the emotional needs we bring to our sexuality and how do we connect to ourselves and connect to a partner? There's such a rich tapestry that can be revealed, but the vast majority of couples have never had those talks.
I guess I'm attracted to people who are singing about love or life, and they have a particular passion that I can connect with. There are people I can tell are amazing, but I can't connect for some reason. It doesn't really make sense why you connect with someone or you don't.
'Free Solo' has got nothing to do with politics, so to speak, but why are audiences responding to it in the degree that they did? I think it's because we give people an opportunity to see someone. Also, he's able to connect when you don't think he could connect. It's a respite.
My first real kiss came when I was 10, and it was in an acting class. I had to do a scene from a movie where someone gets kissed under a tree, and I did not want to do it! But my acting partner wanted me to feel comfortable, so he bought a picnic basket with all these snacks. He made such an effort - and it was cute.
I think what creates a winner is a person who can connect with their partner - another human being.. connect with their soul
A person who can connect with their partner, another human being who can connect with their soul ? it's not just learning steps, it's about expressing something. I've found in dancing all my life that I can release something as a dancer that I can't in any other way.
I think coming off of "Blame", I've been talking a lot about directing. It's something that I really love and connect with. I truly consider it what I was born to do. That kind of loops in with filmmaking on the whole, because when you create something, you're also wearing a lot more hats than just director. At the same time, I also think acting is something that's very powerful in my life.
People talk about the difference between radio acting, TV acting and stage acting, but I think it's all the same. For instance, when I played Vultan in 'Flash Gordon,' I put as much energy into it as I would with 'King Lear' - it's all part of the same thing.
Acting has helped me understand people, not only because you are acting as a character, but also because you are watching other actors work. That really helps you identify in life when someone is acting, not being true.
I'm always trying to want to connect with fans and to connect them to each other. I mean, there's other things that I'm trying to do, but in terms of connectivity, that is really important to me. And I am a smaller artist still and there are people that are super passionate about my music, but not everyone in their circle knows about me. But yeah, I've always trying to find ways to connect fans to each other.
I am not against identity politics or single based issues; at the same time, we need to find ways to connect these singular modes of politics to broader political narratives about democracy so we can recognize their strengths and limitations in building broad-based social movements. In short, we need to find new ways to connect education to the struggle for democracy that is under assault in ways that were unimaginable forty years ago.
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