A Quote by Arnulf Rainer
The principles of my works... are the extinction of expression, permanent covering and contemplative tranquillity... My ideal is the completely dark picture, full of some overwhelming silence.
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The first time I started choreographing was in the dark, in my living room, with the lights completely out, to some popular music on the radio. I put the radio on full blast and I started moving. I didn't know what it looked like. I didn't want to see it... I had to start in the dark.
Since the moment of self-consciousness comes to a permanent end - and a new journey begins- is such a decisive stroke or milestone in the contemplative life, I can only speculate why so little has been said of this breakthrough; in fact , I may never get over the silence on the part of writers who say nothing about this second movement.
In photography we must learn to seek, not the 'picture,' not the aesthetic of tradition, but the ideal instrument of expression, the self-sufficient vehicle for education.
And I told you: I think of a photograph you took of me, up in Montreal. You told me to jump in the air, so in the picture, my feet are off the ground. Later, I asked you why you wanted me to do that, and you told me it was the only way to get me to forget about the expression on my face. You were right. I am completely unposed, completely genuine. In my mind’s eye, I picture myself like that, reacting to you.
The highest ideal of cure is the rapid, gentle and permanent restoration of health; that is, the lifting and annihilation of the disease in its entire extent in the shortest, most reliable, and least disadvantageous way, according to clearly realizable principles.
I suppose everybody has a mental picture of the days of the week, some seeing them as a circle, some as an endless line, and others again, for all I know, as triangles and cubes. Mine is a wavy line proceeding to infinity, dipping to Wednesday which is the colour of old silver dark with polishing and rising again to a pale gold Sunday. This day has a feeling in my picture of warmth and light breezes and sunshine and afternoons that stretch to infinity and mornings full of far-off bells.
Since I was introduced to the practice of God's presence, which in turn led me into the contemplative way, I have nearly always felt so rich, so blessed, so sincerely full of "enough."...I believe it is on this robust, overflowing ...contemplative pathway that one gains the joy and serenity to be generous.
To describe the overwhelming life of a tropical forest just in terms of inert biochemistry and DNA didn't seem to give a very full picture of the world.
When I wrote the eight fairy tales that appear in 'Horse, Flower, Bird' I was working toward a completely new form of artistic expression, trying to create a new kind of tale that also felt vintage: innocent and childlike, but haunted. I tried to write a picture-less picture book.
You put the picture of the ideal person in your head and then someone comes along and they don't fit that ideal at all. But somehow there is something about them that is so attractive. Everyone that I have fallen for has not fit that ideal at all.
Why I can't stand this phrase about I don't have any permanent enemies, any permanent friends, only permanent interests. I can't stand that. It's a matter of principles. What kind of integrity, what kind of morality do you have?
It is to this silence [contemplative prayer] that we all are called.
All art constantly aspires to the condition of music....In its ideal, consummate moments, the end is not distinct from the means, the form from the matter, the subject from the expression; they inhere in and completely saturate each other.
I did not set out to explain the extinction of the dinosaurs. I'm a particle physicist, and I was actually thinking about dark matter along with some collaborators.
The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up.
Life is so generous a giver but we, judging its gifts by their covering, cast them away as ugly or heavy or hard. Remove the covering and you will find beneath it a living splendor, woven of love, by wisdom, with power. Welcome it, grasp it, and you touch the angel's hand that brings it to you. Everything we call a trial or a sorrow or a duty, believe me that angel's hand is there, and the wonder of an overshadowing presence. Life is so full of meaning and purpose, so full of beauty beneath its covering, that you will find earth but cloaks your heaven. Courage then to claim, that is all.
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