A Quote by Aroldis Chapman

My best pitch is my fastball. It's probably the most difficult pitch to hit. In my case, batters have very little reaction time. — © Aroldis Chapman
My best pitch is my fastball. It's probably the most difficult pitch to hit. In my case, batters have very little reaction time.
I'm a fastball hitter. It's no secret I'm looking for a fastball every pitch. I think it's one of the hardest things to do in sports-to hit a moving baseball.
I trust that I can hit a fastball, that I can hit any pitch they throw to me.
The number of strokes to the inch controls the pitch of the note: the more, the higher the pitch; the fewer, the lower the pitch, the size of the stroke controls the loudness... the tone quality is the most difficult element to control, it is made by the shape of the strokes.
Anybody's best pitch is the one the batters ain't hitting that day.
You have a personality inside the pitch and off the pitch and in the changing room, too. The most important thing is to be respected by your teammates, and that's the case at Tottenham.
The good rising fastball is the best pitch in baseball.
I'm not like a 90-mph fastball kind of guy, but I can hit 70 on radar gun. I hit 70 one time on a radar guy at one of those pitch-and-throw kind of things. I have a pretty good arm for somebody who's not a baseball player.
The fastball is the best pitch in baseball. It's like having five pitches, if you move it around.
I love the slider. I'll throw it anytime. It helps the curve. The last five feet, it dives toward the left-handed hitter's box. It's a pitch that looks like a fastball coming in. It's a pitch I throw when I need a ground ball with a man on base.
The real Pogba is the one you see every time. You know, when I'm on the pitch, I cannot act. I'm not an actor. So when I'm in the pitch, I like to joke and laugh, and outside the pitch, I'm the same. For me, I'm normal. I come and play football. I do what I love.
Learn what pitch you can hit good; then wait for that pitch.
Everyone wants to talk about my slider, and how effective it is, but it really can't be without fastball command. It starts with my fastball, even if the slider is the pitch I want to get to.
I prefer to be a great team not only on paper but also on the pitch. The pitch is the truth. The pitch speaks.
I don't have to get a pitch down the middle. If I like the pitch-even if it's 15 inches off the plate, and that's the pitch I wanted-I'm swinging.
My major league debut came at old Busch Stadium on Grand Avenue in St. Louis, against the Pittsburgh Pirates. The first pitch I threw was to third baseman Bob Bailey. It was a fastball, low and away. He ripped it for a home run down the left field line. I said, 'Damn, that was a pretty good pitch.
I threw a lot more curveballs in college and the minor leagues. Up here, they're looking for that pitch. A curveball is more recognizable out of the hand than a fastball or changeup. They're taking them or hitting the mistakes I make with them. I don't want it to be so recognizable. I'll have to work with that because that was my pitch.
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