A Quote by Arshile Gorky
You know how fussy and particular I am in painting. I am ever removing the paint and repainting the spot until I am completely exhausted.
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Painting allows me to use other portions of my brain pleasurably. Irony plays no part in what or how I paint. I paint the particular subject matter not to make polemical points but because I am interested in the human imprint on the landscape. I paint the landscape of my time and place with the stuff in it.
I am not a book collector, and I am not fussy about particular editions. As long as the words are there I don't mind.
I am very fussy; I am very detailed; I nag a lot. So in a sense, I am like Mr. Ping. I am temperamental, I am emotional, I'm fussy, and I'm very exact. And I want people to not fail; I want them to execute - all those things Mr. Ping wants in other people. Or animals.
I, in particular, am in a confusing spot because I am Indian, but I am white, which people don't get. So often I find myself struggling to explain my Indianness.
These false answers such as, I am stone, I am bird, I am animal, I am man, I am woman, I am great, I am small are, in turn, received, tested and discarded until the Question arrives at the right and Final Answer, I AM GOD.
I don't know why people feel that I am snooty. I am not a person who has ever given an interview on image building. I have never been that person, as I am very confident of what I do. People do PR, but I get completely foxed. I don't know how to do it. I stay away from the limelight, as I think my work should speak on my behalf.
When I am painting I have a general notion as to what I am about. I can control the flow of paint: there is no accident.
The primary goal I set for myself on how I define what success looks like for me is am I working at a company that matters? Am I working with somebody who I think affects positive change? Am I providing a benefit to my family? Am I enjoying myself? Why would I put a limitation on my enjoyment? There is an old view on Wall Street that says, 'They love you until they don't.' I am going to stay happy until I am not.
Your poems are rather hard to understand, whereas your paintings are so easy. Easy? Of course - you paint flowers and girls and sunsets; things that everybody understands. I never met him. Who? Everybody. Did you ever hear of nonrepresentational painting? I am. Pardon me? I am a painter, and painting is nonrepresentational. Not all painting. No: housepainting is representational. And what does a housepainter represent? Ten dollars an hour. In other words, you don't want to be serious - It takes two to be serious.
Am I completely indifferent to criticism? No, not at all. But I know who I am and I have learned to respect and care for who I am.
People believe I am what they see Me as, rather than what they do not see. But I am the Great Unseen, not what I cause Myself to be in any particular moment. In a sense, I am what I am not. It is from the Am-notness that I come, and to it I always return.
I am exhausted by traditional memoir. I am exhausted by the architecture of the conventional novel.
When I act, I feel like I am a color in someone else's painting - I can be the best blue that there is, but I'm still only part of their entire picture - but, with music, when I am performing with Reserved For Rondee, I am the painter, you know?
I just am who I am. And then when people label me eccentric or different, I'm kind of astonished because I think, 'This is completely normal. This is just how I am, it's how I've always been.'
I am restless. I am athirst for faraway things. My soul goes out in a longing to touch the skirt of the dim distance. O Great Beyond, O the keen call of thy flute! I forget, I ever forget, that I have no wings to fly, that I am bound in this spot evermore.
I just am who I am. And then when people label me eccentric or different, Im kind of astonished because I think, This is completely normal. This is just how I am, its how Ive always been.
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