A Quote by Art Blakey

It takes an intelligent ear to listen to Jazz. — © Art Blakey
It takes an intelligent ear to listen to Jazz.
I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.
The Schnauzer listens to jazz. I listen to jazz because he likes it, and I have even gone to jazz concerts with him, but truthfully I would rather listen to retarded children pounding on pan lids with wooden spoons.
If the nose has become a deeply disillusioned and grief-stricken organ in the modern world, then what of the ear? The poor little ear - such an innocent, intelligent and sensitive creature; in these times of such flagrant sonic brutality, the sense within the ear has much to contend with.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
You can start from any source material, and you can approach it with a jazz ear, and then it will become a jazz moment.
I listen to country music. I listen to jazz. I listen to R&B. I listen to Jimi Hendrix a lot.
Composers don't just sit in a room and write things that are in their heads, they actually listen to a lot of music, pop music, jazz, rock and roll, any combination of music that catches their ear.
I listen to so much, I listen to a lot of reggae. Obviously I listen to hip-hop, that's what I make. I listen to soul. I love jazz. I love all types of music.
When you are studying jazz, the best thing to do is listen to records or listen to live music. It isn't as though you go to a teacher. You just listen as much as you can and absorb everything.
I don't listen to a lot of music when I have my free time. But I'll go to a jazz club and have a drink and listen to a good jazz musician. Or sometimes in the morning, if I want to put myself in a good mood, I'll put on some Latin music.
I grew up in a jazz household. They made me listen to jazz before I could hear my Motown.
Most of what I listen to now is mainstream jazz from 1935 right up to and including early bebop and cool jazz.
I don't separate one era of jazz from another, because I listen to everybody... Everybody takes from everybody else and adds their own thing and goes on from there.
I listen to jazz mainly. Mainstream jazz.
I have an ear monitor to block outside noise when I'm performing. It makes it easier. But sometimes I like to take the ear monitor off and listen to the craziness going on.
I took some lessons as a kid but trained myself by ear. I did it the way jazz musicians used to learn years ago, which is to play records and slow them down to figure out the notes. At first I tried to imitate Red Garland, who was my favorite jazz pianist.
This site uses cookies to ensure you get the best experience. More info...
Got it!