I got into playing the jazz. I played jazz for a good while. I did the popular stuff first. You got the "Twelfth Street Rag" and those kinds of things. Then I got to hanging around with a bunch of guys starting to playing jazz. We'd go from one place to the other and take our instruments, just perform for free.
We're having a hard time understanding where jazz is going. What happened to jazz?
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
I started playing football with my mates and my brothers, in the playground or the park or the front garden. It was just about enjoying it, having a good time playing. I wanted to play all the time.
I'm telling you, it's so exciting playing out there because I'm playing well, you have the crowd behind you, and it's such a good feeling. I'm really having a good time out there.
I think of myself as a jazz player, and my music as a natural extension of the jazz tradition. What I'm doing is completely free improvisation ('composing in real time') with nothing predetermined. I've had a lot of experience playing many different kinds of music and several different instruments, and since I tend not to waste anything, it all shows up somewhere in the music I'm playing now.
The church we grew up playing at was not one of those churches known for its music, but it was just this all-around energy that would be happening because, at the same time we'd be playing in church, we'd be playing in the city jazz band under Reggie Edwards.
There's the tradition in jazz of having the Battle of the Bands, and you do not want to get your head cut when you're playing.
There's the tradition in jazz of having the “Battle of the Bands” and you do not want to get your head cut when you're playing.
In 'To Kill a Mockingbird,' I was just playing and having a good time.
The Meters are, I think, the most influential group in our time to come out of New Orleans, to have changed and introduced us all to a way of playing, and to a groove and a level of feel in playing funk-jazz.
Whatever it is, music should sound spontaneous, I've derived a great deal of pleasure from playing jazz and having the knowledge of that spontaneity.
Playing someone drum 'n' bass for the first time in 'Pass Out' - they're like, 'Oh my God, what is this?' I'm having a lot of fun and a good time showcasing the music.
Jazz is very much alive. Everywhere I go there's a new generation of musicians playing Jazz music.
Jazz should be recognized as music of the people, based in a lot of accents and melodies. What is jazz but music that people danced to? Jazz has the dynamic thing. I don't think you have to be playing only Charlie Parker licks on your horn or whatever the new version of that is.
Jazz is the big brother of the blues. If a guy's playing blues like we play, he's in high school. When he starts playing jazz it's like going on to college, to a school of higher learning.