A Quote by Art Buchwald

Television has a real problem. They have no page two. — © Art Buchwald
Television has a real problem. They have no page two.
Television has a real problem. They have no page two. Consequently every big story gets the same play and comes across to the viewer as a really big, scary one.
You know how it always is, every new idea, it takes a generation or two until it becomes obvious that there's no real problem. It has not yet become obvious to me that there's no real problem. I cannot define the real problem, therefore I suspect there's no real problem, but I'm not sure there's no real problem.
The whole problem with news on television comes down to this: all the words uttered in an hour of news coverage could be printed on a page of a newspaper. And the world cannot be understood in one page.
The real problem is usually two or three questions deep. If you want to go after someone's problem, be aware that most people aren't going to reveal what the real problem is after the first question.
It has not yet become obvious to me that there's no real problem. I cannot define the real problem; therefore, I suspect there's no real problem, but I'm not sure there's no real problem.
Reality television is to television what marble and gold are to real estate. The point is to dispense with the idea of taste. It's all id. The more unrestrained the better. We all know that 'reality' in reality television is not real. That anybody who would participate in reality television is a fake. But pretending otherwise makes them real.
You had been a paper boy to me all these years - two dimensions as a character on the page and two different, but still flat, dimensions as a person. But that night you turned out to be real.
I can't go on to page two until I can get page one as perfect as I can make it. That might mean I will rewrite and rewrite page one 20, 30, 50, 100 times.
In other words, the real problem is not exterior. The real problem is interior. The real problem is how to get people to internally transform, from egocentric to sociocentric to worldcentric consciousness, which is the only stance that can grasp the global dimensions of the problem in the first place, and thus the only stance that can freely, even eagerly, embrace global solutions.
The defining problem of contemporary television is trust: Can you believe what you see on television, does television treat people fairly, is it healthy for society?
Clipper took a relatively simple problem, encryption between two phones, and turned it into a much more complex problem, encryption between two phones but that can be decrypted by the government under certain conditions and, by making the problem that complicated, that made it very easy for subtle flaws to slip by unnoticed. I think it demonstrated that this problem is not just a tough public policy problem, but it's also a tough technical problem.
Page one is a diet, page two is a chocolate cake. It's a no-win situation.
If you are watching television and two guys come out and you are already able to tell what the finish of that match is based on entrances alone, that's a problem.
Our problem in Quebec is our summer is so short that we can't wear bathing suits, whatever, what kind of bathing suit. So I mean, we have this debate with political parties involved whether we should forbid the burkini yes or no, and this was in the media, you know, front page for days and days and days. This is wildly exaggerated. And people that don't live for instance in Montreal, where they don't have a diverse population, they think this is a real problem.
Especially once those poetry events began, because, yeah, the stuff was still on the page, but the page was starting to spill into real space, spill into air, once you could hear it, once there was a typewriter, once there was a body of a typist, it was getting rid of the confines of the page.
For all I know, I am beginning with the ending. My page one can wind up a year later as page two hundred, if it's still even around.
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