A Quote by Art Garfunkel

Rodgers and Hammerstein didn't mean anything to me. I just wanted to have a hit, I just wanted to be like those people on the radio. It was all of a case of the present tense with no projecting into the future, particularly.
When I was 12 years old and first decided I wanted to be a songwriter, the people that I always looked up to were Rodgers and Hammerstein, Leonard Bernstein, and people like that.
I'm a Mexican girl from California, and I never grew up thinking I could be in a Rodgers and Hammerstein musical. I didn't really see myself in that. Not that I didn't grow up loving Rodgers and Hammerstein, but I don't know - I just never put myself there.
I just wanted friends. I just wanted people to like me. I just wanted for things to be simple and good. So, for five years I actively sought out mediocrity.
I wanted to be a musician. I wanted to be a superstar. I wanted to be on stage. I wanted to perform. I wanted to be in movies. But as you grow up, those dreams kind of fade away, and you're hit with reality, and you're like, 'Oh, not everyone can be Lil' Bow Wow?' Fine.
Try to find the real tense of the report you are reading: Was it done, is it being done, or is something to be done? Reports are now written in four tenses: past tense, present tense, future tense, and pretense. Watch for novel uses of CONGRAM (CONtractor GRAMmer), defined by the past imperfect, the present insufficient, and the future absolutely perfect.
I have the speed. People said, 'Just hit the ball on the ground, slap the ball, just get on base.' But I wanted to be able to hit home runs. I wanted to be able to bunt, steal bases, play defense.
I just wanted to be a guy on the radio and I wanted to succeed, and I wanted a situation where I could be honest.
I think sometimes when people get older they start to limit themselves and think that if they wanted to start singing or they wanted to start playing guitar or if they wanted to, I don't know...become an archeologist - whatever it is, they think they just can't do it anymore because they've hit a certain age and I just think that's like putting yourself in jail. I realised a couple of years ago that the more that I did and made things and created things that I could love; it helped me to realise that I was actually loving myself and what came out of me.
I just wanted to make more of a lifestyle record instead of anything else. I wasn't trying to do anything mainstream or nothing like that. I wanted to speak on this time period where I was fed up with a couple things and I had an idea of what I wanted to do.
My mom just wanted me to do anything that was academic, whether it was become a doctor or be a lawyer. Engineering suited her... then I dropped out. It was not what I wanted to do at all; it just felt so unnatural, and I couldn't put my finger on why. I just knew it wasn't for me.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
When I left Bristol City for Palace, I just wanted to be playing football. I didn't care about the money I was getting or anything. I just wanted to play because I've always been like that, that's just my character.
I've never met a Mormon I didn't like. They're really nice people. They're so Disney. They're so Rodgers and Hammerstein.
The music and lyrics of Rodgers & Hammerstein connect seamlessly. Singing those beautiful songs was a joyous experience for me, and one that I will never forget.
Ultimately, I didn't quite find the company I wanted to join, but I met more than 100 entrepreneurs and realized that all these entrepreneurs were just as unqualified as I was. If I wanted to be this retailer of the future, or if I wanted to join the retailer of the future, I could just start it.
After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
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