A Quote by Art Linkletter
A traveling show visited a country town and one of the acts was advertised as a striptease. A small boy begged his mother for a quarter to buy a ticket, but the mother refused, telling her son that if he went to that show he would see something awful. Well, the boy sneaked in the show and the first thing he saw was something awful - his own dad sitting on the front row.
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You show me a boy who brings a snake home to his mother and I'll show you an orphan.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
I still believe in putting something out and not asking people to buy the record, then buy a ticket to my show and then buy a t-shirt and then a, like, copy of the show they just saw on CD. That's undignified to me.
Even as a boy, my dad always told me, 'Don't show emotion.' If I banged my cue, he would give me a row and say, 'Stop that.' Don't show any petulance. It was developed, certainly, but I think you have got to have it in you.
His mother got her purse. His father reached for the door. "Scooter," he said, by way of good-bye, "have fun with your friends." But Hale was shaking his head. He put his arm around Kat's shoulders. "She's not my friend, Dad. She's my girlfriend." Hale's parents must have walked away, but Kat wasn't looking. She was too busy staring up at Hale, trying to see into his eyes and know if he was okay. The sadness that had lingered for weeks was fading, and the boy that held her was the boy she knew. A boy who kissed her lightly.
I think so often about how, when I was starting out at UCB, Conan O'Brien was in town, and on his show back then, they sometimes did character bits, and I started getting paid to dress up as a page or a Dutch boy on his show.
"Well," said my aunt, "this is his boy - his son. He would be as like his father as it's possible to be, if he was not so like his mother, too."
I'd really like to go with you, Agachak. Truly I would...but I just can't." "I don't understand. Why not?" "I'm not allowed to leave home. My mother'd punish me something awful if I did..." "But you're the king." "That doesn't change a thing. I still do what mother says. She tells everybody that I'm the best boy ever when it comes to that." Agachak resisted a powerful urge to change this half-wit into a toad or perhaps a jellyfish.
The mother gazes at the baby in her arms, and the baby gazes at his mother's face and finds himself therein... provided that the mother is really looking at the unique, small, helpless being and not projecting her own expectations, fears, and plans for the child. In that case, the child would find not himself in his mother's face, but rather the mother's own projections. This child would remain without a mirror, and for the rest of his life would be seeking this mirror in vain.
That song [ "Proud of your boy" ] in particular, I sing towards the beginning of the show [Aladdin], and what it does is show his wants and needs at the beginning and what's motivating him and carry it throughout the show. It gives him layers and dimensions. He's a well rounded character and it's great.
My son is pre-K and my daughter is in elementary school. So they don't watch the show. But my son knows that I'm on it - he says that 'Breaking Bad' is his favorite show even though he's never seen it. It's really great that he says that, because it makes me look like mother of the year.
Then I saw it. I saw a mom who would die for her son. A man who would kill for his wife. A boy, angry and alone. Laid out in front of him, the bad path. I saw it. And the path was a circle. Round and round. So I changed it.
When I was younger, I definitely had more of a dream, as they say on 'American Idol,' that I would have my own show. I always thought that that was something that would happen, that eventually I would just get my own show because anyone who wants their own show should get their own show.
I didn't know what to do. How do you tell an eight-year-old boy his mother's going to die? I tried. In my own stumbling way I tried to prepare Jim for it. Nowadays, he lives in a world we don't understand too well, the actor's world. We don't see too much of him. But he's a good boy, my Jim. A good boy, and I'm very proud of him. Not easy to understand, no sir. He's not easy to understand. But he's all man, and he'll make his mark. Mind you, my boy will make his mark.
A story went the rounds about a San Franciscan white matron who refused to sit beside a Negro civilian on the streetcar, even after he made room for her on the seat. Her explanation was that she would not sit beside a draft dodger who was a Negro as well. She added that the least he could do was fight for his country the way her son was fighting on Iwo Jima. The story said that the man pulled his body away from the window to show an armless sleeve. He said quietly and with great dignity, "Then ask your son to look around for my arm, which I left over there.
Mother love has been much maligned. An over mothered boy may go through life expecting each new woman to love him the way his mother did. Her love may make any other love seem inadequate. But an unloved boy would be even more likely to idealize love. I don't think it's possible for a mother or father to love a child too much.
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