A Quote by Art Spiegelman

It's not an accident that, while bookstores are all in a tizzy, one of the more lively and alive sections is the so-called "graphic novel" section, because those are harder to replace.
The seven white notes on the piano - each section of the piece (there are 12 sections) is five of those seven white notes. If you calculate it, there are 21 groups of five notes in any group of seven notes. And although there are 12 sections, this piece actually uses nine of those groups because some of the sections repeat earlier ones. So that's the formula. It's very simple as a way of generating something. It's my inner minimalist.
Personally, I'd never seen a graphic novel. I knew they existed because friends of mine like Jonathan Ross collect them and some very literate and intelligent people really rate the graphic novel as a form.
The graphic novel? I love comics and so, yes. I don't think we talked about that. We weren't influenced necessarily by graphic novels but we certainly, once the screenplay was done, we talked about the idea that you could continue, you could tell back story, you could do things in sort of a graphic novel world just because we kind of like that world.
My novels are in the literature section as opposed to the romance section of bookstores because they're not romance novels. If I tried to have them published as romances, they'd be rejected. I write dramatic fiction; a further sub-genre would classify them as love stories.
People don't like to say comic so they say Graphic Novel, despite the fact that I don't think the true Graphic Novel has been written anywhere.
I've no objection to the term 'graphic novel,' as long as what it is talking about is actually some sort of graphic work that could conceivably be described as a novel. My main objection to the term is that usually it means a collection of six issues of Spider-Man, or something that does not have the structure or any of the qualities of a novel, but is perhaps roughly the same size.
The fact is that some people are better than others - smarter, harder working, more learned, more productive, harder to replace.
I think with something like Watchmen you can genuinely call that a graphic novel because it has the weight and the intent of a proper novel and it also is the complete story.
I think with something like 'Watchmen' you can genuinely call that a graphic novel because it has the weight and the intent of a proper novel and it also is the complete story.
I've got an original graphic novel called 'The Indian and the Bandit' that I'm writing with a childhood friend.
Playing Destroyo, who was sort of a 'Silence Of The Lambs' type character, I'd say I was wearing about 50 pounds of rubber and foam rubber and makeup. But I had no idea who The Tick was. I'm not a big graphic-novel guy. I don't even know if 'The Tick' was a graphic novel!
In bookstores, my stuff is usually filed in the out-of-the-way, additional interest sections.
I wrote a graphic novel that came out in 2011 called 'Everlast.' We had a really successful run with that.
I shop a lot from the children's section and, sometimes, from the men's section. You'll find skirts, shirts and shoes from the children's section. My friends buy me more adult-like clothes, and I love those. But I cannot do away with the colourful stuff.
We human beings build houses because we're alive but we write books because we're mortal. We live in groups because we're sociable but we read because we know we're alone. Reading offers a kind of companionship that takes no one's place but that no one can replace either. It offers no definitive explanation of our destiny but links us inextricably to life. Its tiny secret links remind us of how paradoxically happy we are to be alive while illuminating how tragically absurd life is.
I wrote a graphic novel called 'Soul Stealer' with big, beautiful, epic artwork by Chris Shy. It grew into a trilogy.
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