A Quote by Art Wolfe
I often had to pass over photographs because in a mass of animals invariably one would be wandering in the wrong direction, thereby disrupting the pattern I was trying to achieve. Today the ability to digitally alter this disruption is at hand.
Related Quotes
Editing can alter the original meaning and context, and computers can alter the image itself. The camera can also be manipulated. At the very least, it must be turned in one direction - only one direction at a time ... Who chooses what direction to point the camera, and why?
Disruption is a critical element of the evolution of technology - from the positive and negative aspects of disruption a typical pattern emerges, as new technologies come to market and subsequently take hold.
Behavior runs in deep channels that were cut during early childhood, and it is very difficult to alter them. In order to change a deeply ingrained pattern, you have to build a sturdy dam, dig another canal and reroute the river in the new direction. That effort is rarely successful over the long haul.
My grandmother had the most dramatic effect on my life because she set me in one direction, and I had to go back the other direction for my sanity, and for my ability to be a social human being.
I believe often that death is good medical treatment because it can achieve what all the medical advances and technology cannot achieve today, and that is stop the suffering of the patient.
I've had photographs taken for portraits because I very much prefer working from the photographs than from models... I couldn't attempt to do a portrait from photographs of somebody I didn't know.
We are all wrong so often that it amazes me that we can have any conviction at all over the direction of things to come. But we must.
When somebody is a little bit wrong - say, when a waited puts nonfat milk in your espresso macchiato, instead of lowfat milk - it is often quite easy to explain to them how and why they are wrong. But if somebody is surprisingly wrong - say, when a waiter bites your nose instead of taking your order - you can often be so surprised that you are unable to say anything at all. Paralyzed by how wrong the waiter is, your moth would hang slightly open and your eyes would blink over and over, but you would be unable to say a word.
Wild animals are not meant to be owned, any more than human beings are. Nobody has the right to pass a cougar or a gorilla on from hand to hand.
Hans Rosling typically would go into the room, and he would ask the audience questions. Often they had to answer them with clickers or raising their hands or something. We get [data] wrong because 50 years ago that wasn't the case and because we haven't had these graphics we don't realize that over the last 30, 40, 50 years things have changed dramatically. And you see how the world has been getting a better, safer, more homogeneous place. It just has.
I'm proud of my ability to understand what somebody else is trying to do and help them achieve it, because part of the aesthetic of improvisation is service. You never say no. Serve the servant, follow the follower. And that's very valuable in your life, as well as very valuable in your actor's work. I'm damn proud of my ability to help other people achieve their ideas.
The time would not pass. Somebody was playing with the clocks, and not only the electronic clocks but the wind-up kind too. The second hand on my watch would twitch once, and a year would pass, and then it would twitch again. There was nothing I could do about it. As an Earthling I had to believe whatever clocks said -and calendars.
We were just trying to make the films that we could get made, and to push the envelope. We didn't realize how far we had pushed the envelope. That all came later. That all came from books and articles about the golden age of the '70s. Believe me, to a lot of us, it was no golden age. The studio heads were very powerful then. They would fire guys right and left. They would look at your dailies and tell you what was wrong with them... a lot of stuff that doesn't go on today. Young filmmakers who are successful today, they don't often have that to put up with.
Of course, the world is full of problems. But on the other hand it's important to get the sense... are we generally moving in the right direction or the wrong direction?
As a teenager in Brooklyn Quentin had often imagined himself engaged in martial heroics, but after this he knew, as a cold immutable fact, that he would do anything necessary, sacrificing whatever or whomever he had to, to avoid risking exposure to physical violence. Shame never came into it. He embraced his new identity as a coward. He would run in the other direction. He would lie down and cry and put his arms over his head or play dead. It didn't matter what he had to do, he would do it and be glad.
When we concentrate on photography, we make it possible to see the walls of photographs in black homes as a critical intervention, a disruption of white control over black images.
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