A Quote by Artem Chigvintsev

Being on a show like Dancing with the Stars for what I do, that is the top of the game. There is really no other job that gives you the satisfaction of choreographing, of teaching and getting the recognition in that spectrum.
There is really no other job in the world like 'Dancing With the Stars.'
Because the Arnold Classic is such a big show, a guy who hasn't been getting a lot of recognition all of a sudden does that show and arrives in good condition and is able to take out some of the top guys, it then puts him up there in the running for the Olympia title. So he can get more recognition that way.
There is an enormous joy and satisfaction in doing what you really want to do and are best fitted to do. When it all comes together like that, it gives you a wonderful sense of well-being and satisfaction knowing that you have been doing what you were intended to do for this lifetime.
Dancing is being trusted with other people's guts; choreographing is trusting other people with yours. When I choreograph I'm giving a dancer something to do and trusting the dancer to do it and build on it.
Ask any batsman what gives him maximum satisfaction. It's scoring runs, whether it's Ranji Trophy or any form of the game. When you get back to your room, knowing that you have scored a hundred, it gives you satisfaction.
'Dancing With the Stars' has become a phenomenon, and when I look at that type of reality show, it's like a variety show.
At drama school, I got a job choreographing and teaching the fights for Mark Rylance doing 'Hamlet' at the Globe in London when I was only 19. They made me fight captain.
I get called 'the girl off the dancing horse.' I just laugh; I think it's really funny. It's true, isn't it? It's great we're getting that recognition.
On the one hand, undeserved success gives no satisfaction... but, on the other hand, well-deserved failure gives no satisfaction either.
I think we're really good about pushing each other in practice and we have high tempo and I feel like we have some of the best players in the world so just competing against one another and getting in there and pushing each other around and getting ready for that physical style of game coming up, we have to play hard and pretend it's a game.
True motivation comes from achievement, personal development, job satisfaction, and recognition.
People like myself, who have good credibility in the game and played at the very top level, you'd think would get a job or at least be given an interview, but you're not even getting an interview.
The rewards of dancing are very different from choreographing.
No other job in the world could possibly dispossess one so completely as this job of teaching. You could stand all day in a laundry, for instance, still in possession of your mind. But this teaching utterly obliterates you. It cuts right into your being: essentially, it takes over your spirit. It drags it out from where it would hide.
There's no better exercise than dancing. 'Dancing with the Stars' is amazing. I used to take it for granted, but the three months you spend on the show, with that grueling regimen, you just shed weight. You can eat anything you want and it doesn't stick.
I mean there are tons of reasons. Well first of all. I write my own record. I don't take other people's materials. And I have a job which is being Willa Ford on top of getting back in the studio and writing and recording.
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