A Quote by Artem Lobov

More and more Russians started watching the UFC when Conor came along. The more they watched, the more they understood it. — © Artem Lobov
More and more Russians started watching the UFC when Conor came along. The more they watched, the more they understood it.
No more painters, no more scribblers, no more musicians, no more sculptors, no more religions, no more royalists, no more radicals, no more imperialists, no more anarchists, no more socialists, no more communists, no more proletariat, no more democrats, no more republicans, no more bourgeois, no more aristocrats, no more arms, no more police, no more nations, an end at last to all this stupidity, nothing left, nothing at all, nothing, nothing.
Once I came along, I started giving more smooth melodies, more songs for the ladies, a new vibe, and Philly wasn't used to all that.
I am not interested in things getting better; what I want is more: more human beings, more dreams, more history, more consciousness, more suffering, more joy, more disease, more agony, more rapture, more evolution, more life.
Becoming the guy with most submissions in UFC history at age 28, breaking Royce's record, will definitely give me more leverage with the UFC. I'll get more attention and more sponsors. It helps a lot.
Drink has shed more blood, hung more crepe, sold more homes, plunged more people into bankruptcy, armed more villains, slain more children, snapped more wedding rings, defiled more innocence, blinded more eyes, dethroned more reason, wrecked more manhood, dishonored more womanhood, broken more hearts, blasted more lives, driven more to suicide and dug more graves than any other evil that has cursed the world.
One of the problems with industrialism is that it's based on the premise of more and more. It has to keep expanding to keep going. More and more television sets. More and more cars. More and more steel, and more and more pollution. We don't question whether we need any more or what we'll do with them. We just have to keep on making more and more if we are to keep going. Sooner or later it's going to collapse. ... Look what we have done already with the principle of more and more when it comes to nuclear weapons.
I like texting as much as the next kidult - and embrace it as yet more evidence, along with email, that we live now in the post-aural age, when an unsolicited phone call is, thankfully, becoming more and more understood to be an unspeakable social solecism, tantamount to an impertinent invasion of privacy.
The more I observed Washington, the more frequently I visited it, and the more people I interviewed there, the more I understood how prophetic L'Enfant was when he laid it out as a city that goes around in circles.
The more fights I have in the UFC, the more people I meet, the more opportunities I have to make an impact.
The 'Occupy' movement has no real solutions, except more government, more spending, more regulation, more bureaucracy, more unsustainable lethargic pseudo-university with no return on investment, more more more of what got us into this hole.
The choice of roles as I grow older gets more and more limited, so if I pin myself to one kind of part I would get in trouble. So, these oddball ladies came along for me to do - I guess Terry Gilliam helped in this respect. I have found them more interesting, flashier and I get more mileage out of them.
The more I come to understand music, the more I feel like a numbskull because there is always more to learn. The more I do it, the more I'm humbled. I'm just always trying to get better at it. I pick up a few tricks along the way.
There is an electricity about a friendship relationship. We are both more relaxed and more sensitive, more creative and more reflective, more energetic and more casual, more excited and more serene. It is as though when we come in contact with our friend we enter into a different environment.
Our attention spans have become shorter because there are more and more claims upon them - more information, more complexity; more stories, more stuff; more.
I think I started to come into my own when I started doing more original material, and that, I think, culminated in 1998's Modern Cool. I insisted on going my own way. I think until you're more prolific, people don't trust that. So at first I think it was harder. They didn't know what to think, but as I continued along that path, they generally came my way.
Yes, there's more access to film than when I first came into the league, but because of it there's a desire to see more and study more and cover more.
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