A Quote by Arthur Adamov

A stage play ought to be the point of intersection between the visible and invisible worlds, or, in other words, the display, the manifestation of the hidden. — © Arthur Adamov
A stage play ought to be the point of intersection between the visible and invisible worlds, or, in other words, the display, the manifestation of the hidden.
Man is a bridge between the two worlds - the visible and the invisible.
The visible and invisible worlds are inextricably intertwined... once you’ve opened your eyes to this, you can dance between them.
Everything we see hides another thing, we always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take the form of a quite intense feeling, a sort of conflict, one might say, between the visible that is hidden and the visible that is present.
Poetry is the break (or rather the meeting at the breaking point) between the visible and the invisible.
Visible things can be invisible. However, our powers of thought grasp both the visible and the invisible – and I make use of painting to render thoughts visible.
Thus is Man that great and true Amphibium, whose nature is disposed to live, not onely like other creatures in divers elements, but in divided and distinguished worlds: for though there be but one to sense, there are two to reason, the one visible, the other invisible.
What is important to me in my work is the identity that is hidden behind so-called reality. I search for a bridge from the given present tot the invisible, rather as a famous cabalist once said, 'If you wish to grasp the invisible, penetrate as deeply as possible into the visible'.
With One Spirit Medicine , you will discover how to dance between the visible, physical world of the senses and everyday tasks, and the invisible world of Spirit. You will be like the graceful jaguar, the balancing force of the rain forest who serves as an intermediary between the seen and unseen worlds as it journeys beyond death into eternity.
There is in all visible things an invisible fecundity, a dimmed light, a meek namelessness, a hidden wholeness.
When the boy begins to understand that the visible point is preceded by an invisible point, that the shortest distance between two points is conceived as a straight line before it is ever drawn with pencil and paper...the fountain of all thought has been opened to him...the philosopher can reveal him nothing new, as a geometrician he has discovered the basis of all thought.
My work involves the physical manifestation of emotional reality. Thus, the invisible becomes visible; the normal, abnormal; and the familiar, unfamiliar. Ordinary life is an endless source of fascination to me in its ritualistic objects and behavior.
The body in its masculinity and femininity has been called "from the beginning" to become the manifestation of the spirit. The body, in fact, and only the body, is capable of making visible what is invisible: the spiritual and the divine.
People who have known the joy of God point each other to flashes of light here and there, and remind each other that they reveal the hidden but real Presence of God. They discover that there are people who heal each other's wounds, forgive each other's offenses, share their possessions, foster the spirit of community, celebrate the gifts they have received, and live in constant anticipation of the full manifestation of God's Glory.
Mime makes the invisible, visible and the visible, invisible.
Grey. It makes no statement whatever; it evokes neither feelings nor associations: it is really neither visible nor invisible. Its inconspicuousness gives it the capacity to mediate, to make visible, in a positively illusionistic way, like a photograph. It has the capacity that no other colour has, to make 'nothing' visible.
I want to find the intersection between digital media and traditional media and be pioneering the endeavor to merge the two worlds.
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