A Quote by Arthur Adamov
The reason why Absurdist plays take place in No Man's Land with only two characters is primarily financial.
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Any place that manufactures humans into weapons is going to piss off a couple members of X-Force. I always want a personal reason for why these characters take on these missions.
The only reason why you should do a film is because it creatively carbonates you and gets you going. If you're doing it for any other reason, you've lost sight of why you're acting, in the first place.
Nature is not primarily functional. It is primarily beautiful. Stop for a moment and let that sink in. We’re so used to evaluating everything (and everyone) by their usefulness that this thought will take a minute or two to begin to dawn on us. Nature is not primarily functional. It is primarily beautiful. Which is to say, beauty is in and of itself a great and glorious good, something we need in large and daily doses.
It is time for us to take off our masks, to step out from behind our personas - whatever they might be: educators, activists, biologists, geologists, writers, farmers, ranchers, and bureaucrats - and admit we are lovers, engaged in an erotics of place. Loving the land. Honoring its mysteries. Acknowledging, embracing the spirit of place - there is nothing more legitimate and there is nothing more true. That is why we are here. That is why we do what we do. There is nothing intellectual about it. We love the land. It is a primal affair.
Every form has its own meaning. Every man creates his meaning and form and goal. Why is it so important - what others have done? Why does it become sacred by the mere fact of not being your own? Why is anyone and everyone right - so long as it's not yourself? Why does the number of those others take the place of truth? Why is truth made a mere matter of arithmetic - and only of addition at that? Why is everything twisted out of all sense to fit everything else? There must be some reason. I don't know. I've never known it. I'd like to understand.
A lot of your personality is formed before you're 12, obviously, but only a few of my plays use characters from my childhood. The more mature plays are affected only by my adult experiences.
Take my love, take my land Take me where I cannot stand I don't care, I'm still free You can't take the sky from me Take me out to the black Tell them I ain't comin' back Burn the land and boil the sea You can't take the sky from me There's no place I can be Since I found Serenity But you can't take the sky from me.
I honor anybody who wants to be a man and do the work of becoming a man. I honor anyone who mindfully becomes a woman. That's cool. But, I really don't get how there's only two choices. There's no two of anything else in the entire universe; why should there only be two genders? I don't get it.
So many American plays are about family. When you're in the first part of your life, you write about family a lot. I find with my absurdist plays that I was actually writing about my family, but so disguised I didn't realize it myself.
Man only plays when in the full meaning of the word he is a man, and he is only completely a man when he plays.
Land taxes is the thing. They got so high that there is no chance to make anything. Not only land but all property tax. You see in the old days, why the only thing they knew how to tax was land, or a house. Well, that condition went along for quite awhile, so even today the whole country tries to run its revenue on taxes on land. They never ask if the land makes anything. "It's land ain't it? Well tax it then."
I fell into writing plays by accident. But the reason I write plays is that it's the only thing I'm any good at.
The war on drugs causes other supplemental crimes to take place because of the original illegality of it. But then again, that's the other reason that they're fighting it is the corporate prisons they have now. Because they've privatized all our prisons, corporations have to make money, and the only way they can make money is, I believe, the prisons have to be at least 80-90 percent full. That's why the United States - which is home of the brave, land of the free - we have more people in prison than any other country in the world.
People often ask me why I choose to primarily play queer characters, and my answer is that as a queer man, I choose to align myself with projects in which I can be of service for a purpose greater than myself: to be for an audience of queer people of color, something I didn't have the privilege of seeing as a young man.
The absurdist is concerned with the search for meaning in the Universe. He believes this search to be meaningless--hence the disintegration of plot, character, and language in absurdist drama. Order is a falsehood that we, God, those who came before us, have imposed on a random universe. However, the absurdist is confronted with a curious paradox: though he believes the Universe to be meaningless, he cannot abandon the search for meaning--or he will die.
I always feel in a funny place when I'm really asked to inform people, so I just try to take the more absurdist route - like, "this is how you could do it, but it's actually turning into a cat now. This might happen at home I guess, but it probably won't."
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