A Quote by Arthur Baer

She's generous to a fault - if it's her own. — © Arthur Baer
She's generous to a fault - if it's her own.
My mother was a full-time mother. She didn't have much of her own career, her own life, her own experiences... everything was for her children. I will never be as good a mother as she was. She was just grace incarnate. She was the most generous, loving - she's better than me.
She looked at her own past, and, for the first time, she forgave herself: it hadn't been her fault, but the fault of that insecure little boy, who had given up after the first attempt.
My mother didn't feel sorry for herself, she was left with no child support, no alimony at a very young age, with a child to raise, a high school education and she just figured it out. She didn't complain, she didn't rely upon government, she relied upon her own skill set, her own self confidence, her own drive in moxie and her own duty to me and her and she relied upon her family and her faith.
In this moment she felt that she had been robbed of an enormous number of valuable things, whether material or intangible: things lost or broken by her own fault, things she had forgotten and left in houses when she moved: books borrowed from her and not returned, journeys she had planned and had not made, words she had waited to hear spoken to her and had not heard, and the words she meant to answer with. . . .
A Woman who is generous with her money is to be praised; not so, if she is generous with her person
By no amount of agile exercising of a wistful imagination could my mother have been called lenient. Generous she was; indulgent never. Kind, yes, permissive, never. In her world, people she accepted paddled their own canoes, pulled their own weight, put their own shoulders to their own plows and pushed like hell.
Beyonce knows exactly what she wants, what she needs in her projects, where she wants to go. She's creating her own lane. There's really no one out there who can compete with her. She's in her own world.
Elena wondered if Michaela was waiting to be served. Snorting inwardly at the idea, she poured her own coffee—and, because she was feeling generous, and okay, maybe because she wanted to irritate Michaela—Raphael’s as well. Then she put down the carafe.
She'd assumed she'd be married and have kids by this age, that she would be grooming her own daughter for this, as her friends were doing. She wanted it so much she would dream about it sometimes, and then she would wake up with the skin at her wrists and neck red from the scratchy lace of the wedding gown she'd dreamed of wearing. But she'd never felt anything for the men she'd dated, nothing beyond her own desperation. And her desire to marry wasn't strong enough, would never be strong enough, to allow her to marry a man she didn't love.
Hillary is the Mitt Romney of 2016, where she has very little in common with the average person. She doesn't drive herself anywhere, she doesn't put on her own makeup, she doesn't cook her own meals, and she doesn't research her own materials. She has very little in common with the average woman.
When Ivy [Wilkes] begins her work in forgery, she doesn't yet know the toll that it will take on her own original work. She even thinks it might be a way to find inspiration. By the time she realizes that she has lost her own voice, she is thoroughly entangled in the forgery mess.
What about Isabelle?" Simon asked. "Where is she?" The humor, such as it was, left Jace's expression. "She won't come out of her room," he said. "She thinks that what happened to Max was her fault. She won't even come to the funeral." "Have you tried talking to her?" "No," Jace said, "we've been punching her repeatedly in the face instead. Why, do you think that won't work?" "Just thought I'd ask." Simon's tone was mild.
The universal nature has no external space; but the wondrous part of her art is that though she has circumscribed herself, everything which is within her which appears to decay and to grow old and to be useless she changes into herself, and again makes other new things from these very same, so that she requires neither substance from without nor wants a place into which she may cast that which decays. She is content then with her own space, and her own matter, and her own art.
Charity never lacks what is her own, all that she needs for her own security. Not alone does she have it, she abounds with it. She wants this abundance for herself that she may share it with all; and she reserves enough for herself so that she disappoints nobody. For charity is perfect only when full.
I greatly admired Gypsy [Rose Lee] for being able to rise above her circumstances; I was terrified of her; I thought she was generous; I thought she was brilliant; I thought she was cruel.
A woman is free if she lives by her own standards and creates her own destiny, if she prizes her individuality and puts no boundaries on her hopes for tomorrow.
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