A Quote by Arthur C. Clarke
When beauty is universal, it loses its power to move the heart, and only its absence can produce any emotional effect.
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Many Christians are either woefully deficient in their knowledge of Scripture or noticeably devoid of any experience of God's power. The Lord never intended this for His people. We have all seen firsthand the joyless intellectual arrogance the absence of spiritual power can produce, as well as the fanatical emotional excess that comes from the lack of theological integrity.
If the large power voluntarily abstains from using its full power or feels the strategic situation to be such that it cannot do so, it in effect loses the advantage of being a big power.
We are not to suppose, that there is any violent exertion of power, such as is required in order to produce a great event in little time; in nature, we find no deficiency in respect of time, nor any limitation with regard to power. But time is not made to flow in vain; nor does there ever appear the exertion of superfluous power, or the manifestation of design, not calculated in wisdom to effect some general end.
During any dance to which we surrender with joy, the brain loses it's controlling power, and the heart takes up the reins of the body.
If a man surrenders all power of self-determination in regard to the profits, management or ownership of the place where he works, he not only loses that special prerogative which marks him off from a cow in a pasture, but what is worse, he loses all capacity for determining any work. This is the beginning of a slavery which sometimes goes by the name of security.
To handle yourself, use your head; to handle others, use your heart. Anger is only one letter short of danger. If someone betrays you once, it is his fault; if he betrays you twice, it is your fault. Great minds discuss ideas; average minds discuss events; small minds discuss people. He who loses money, loses much; he who loses a friend, loses much more; he who loses faith, loses all.
Darkness is the absence of light. Happiness is the absence of pain. Anger is the absence of joy. Jealousy is the absence of confidence. Love is the absence of doubt. Hate is the absence of peace. Fear is the absence of faith. Life is the absence of death.
Beauty captivates the flesh in order to obtain permission to pass right through to the soul. . . . When the feeling for beauty happens to be associated with the sight of some human being, the transference of love is made possible, at any rate in an illusory manner. But it is all the beauty of the world, it is universal beauty, for which we yearn.
But you can wake a man only if he is really asleep. No effort that you make will produce any effect upon him if he is merely pretending sleep.
What are the sciences but maps of universal laws, and universal laws but the channels of universal power; and universal power but the outgoings of a universal mind?
God tells me that
My happy heart
Increases the beauty
Of His universal Heart.
In the performance of an illocutionary act in the literal utterance of a sentence, the speaker intends to produce a certain effect by means of getting the hearer to recognize his intention to produce that effect; and furthermore, if he is using the words literally, he intends this recognition to be achieved in virtue of the fact that the rules for using the expressions he utters associate the expression with the production of that effect.
The body with its perfect mechanism loses power, magnetism, beauty, and brightness, when the soul departs from the body. This shows that the power, magnetism, beauty, and brightness belong to the soul.
He who loses wealth loses much; he who loses a friend loses more; but he that loses his courage loses all.
The imagination loses vitality as it ceases to adhere to what is real. When it adheres to the unreal and intensifies what is unreal, while its first effect may be extraordinary, that effect is the maximum effect that it will ever have.
There are faces so fluid with expression, so flushed and rippled by the play of thought, that we can hardly find what the mere features really are. When the delicious beauty of lineament loses its power, it is because a more delicious beauty has appeared, that an interior and durable form has been disclosed.
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