A Quote by Arthur Conan Doyle
The lowest and vilest alleys of London do not present a more dreadful record of sin than does the smiling and beautiful countryside.
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London is not a healthy place. I feel much healthier when I'm living in the countryside or, indeed, anywhere out of London. When I go back to the countryside to visit my mother, I get out of the car, and suddenly there's great wafts of fresh air.
If only, then, I had been more living out of the present--such a beautiful word...present. The sense of it being, now to me, more beautiful than 'to look forward.
I was brought up in a flat in North London - virtually the last building in London, because north of us was countryside all the way to the coast, and south of us was non-stop London for 20 miles.
If you live in central London, that's probably fine for you, but in places like Edmonton, where you're almost out of sight of London, you've got to pay more and more to get into central London. How does that work?
I was filming a movie in London, and I drove through Ireland. It was quite beautiful, and the countryside was really remarkable. The contrast between the countryside and Ireland, and the murals there, with Northern Ireland still being a part of the United Kingdom, there's just a stark contrast in those two things. And I found that the art that came out of the conflict was really spectacular because it was about remembering either events or points of view for local neighborhoods, or the rallying cries of one side against the other.
It takes more courage to dig deep in the dark corners of your own soul and the back alleys of your society than it does for a soldier to fight on the battlefield.
I was every Londoner's stereotypical idea of a brash, vulgar American. When I got here, it turned out that London was the Wild West, and New York was like London at the height of the Victorian era, in which everyone was far more obsessed with table manners and status-climbing than they are in London. In London, everyone was just crawling over this blizzard of cocaine. Here, if you have more than a glass of wine with your meal, people refer you to Alcoholics Anonymous.
What is it about the English countryside — why is the beauty so much more than visual? Why does it touch one so?
If anything can be invented more excruciating than an English Opera, such as was the fashion at the time I was in London, I am sure no sin of mine deserves the punishment of bearing it.
It does not astonish me that the critics in London relegate me to the lowest rank. Alas! I fear that they are only too justified!
Hillary Clinton's record in office is dreadful. Her ideas are dreadful. They will make us less safe. So, but there is no way I'm going to vote for a guy who is just totally uninformed, un-presidential as Donald Trump is.
That is the true definition of sin; when knowing right you do the lower, ah, then you sin. Where there is no knowledge, sin is not present.
We tend to speak of sin in very personal and individual terms. Jeremiah does not downplay that, but he also sees how a whole society can be bound up in the tentacles of sin, in the assumptions that everybody around you makes, about how it becomes easier to sin than not to, and how we can become so confused and contradictory in our reactions, when sin is pointed out.
Our first problem is that our attitude towards sin is more self-centred than God-centred. We are more concerned about our own "Victory" over sin than we are about the fact that our sin grieve the heart of God. We cannot tolerate failure in our struggle with sin chiefly because we are success oriented, not because we know it is offensive to God.
To blaspheme the earth is now the most dreadful sin, and to rate the heart of the unknowable higher than the meaning of the earth!
Most English-speaking people, for instance, will admit that cellar door is 'beautiful', especially if dissociated from its sense (and its spelling). More beautiful than, say, sky, and far more beautiful than beautiful. Well then, in Welsh for me cellar doors are extraordinarily frequent.
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