A Quote by Arthur Conan Doyle
It is the sweetest spring within the memory of man. So green, so mild, so beautiful! Ah, what a contrast between nature without and my own soul so torn with doubt and terror!
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Sweetest Echo, sweetest nymph, that liv'st unseen Within thy airy shell, By slow Meander's margent green, And in the violet-embroidered vale.
Ah! If man would but see that hope is from within and not from without - that he himself must work out his own salvation.
I have a good memory. But I would be interested in memory even if I had a bad memory, because I believe that memory is our soul. If we lose our memory completely, we are without a soul.
Do you suppose there's any difference between spring in nature and spring in man? But there we go, praising the one and condemning the other as improper, ashamed that the same laws work eternally through both.
The beautiful spring came; and when Nature resumes her loveliness, the human soul is apt to revive also.
Today I am a woman torn between the terror that everything might change and the equal terror that everything might carry on exactly the same for the rest of my days.
Ah! soul of mine! Ah! soul of mine! Thy sluggish senses are but bars That stand between thee and the stars, And shut thee from the world divine.
Human nature has its fatal weaknesses, but 'love' means embracing the whole of human nature, the bad within the good, the benign within the malicious, the beautiful within the tragic. 'Love' is the experience of this whole, its unfinished parts, including those of one's own in relation to those of the other.
The relationship between government and art must necessarily be a delicate one. It would not be appropriate for the government to try to define what is good or what is true or what is beautiful. But government can provide nourishment to the ground within which these ideas spring forth from the seeds of inspiration within the human mind.
When like the patriarchs we learn to dig wells of virtue and spiritual knowledge within ourselves by means of ascetic practice and contemplation, we will find within us Christ the spring of life (cf. Gen. 26:15-18). Wisdom commands us to drink from this spring, saying, 'Drink water from your own pitchers and from the spring of your own wells' (Prov. 5:15). If we do this we shall find that the treasures of wisdom truly are within us.
Without a doubt the sense of beauty does not lie determined in the concreteness of an individual beautiful thing or person. Rather its purpose is much more the enchantment of the soul, for there is nothing physical that is not made with the intent of affecting the soul, and there is no soul that does not intend to dazzle everything physical with its sensations.
Ah! but the moods lie in his nature, my boy, just as much as his reflections did, and more. A man can never do anything at variance with his own nature. He carries within him the germ of his most exceptional action; and if we wise people make eminent fools of ourselves on any particular occasion, we must endure the legitimate conclusion that we carry a few grains of folly to our ounce of wisdom.
Imagination is the organ through which the soul within us recognizes a soul without us; the spiritual eye by which the mind perceives and converses with the spiritualities of nature under her material forms; which tends to exalt even the senses into soul by discerning a soul in the objects of sense.
Good digestions, the gray monotony of provincial life, and the boredom-ah the soul-destroying boredom-of long days of mild content.
Immediately after 11 September, the U.S. closed down the Somali charitable network Al-Barakaat on grounds that it was financing terror. This achievement was hailed one of the great successes of the 'war on terror.' In contrast, Washington's withdrawal of its charges as without merit a year later aroused little notice.
To keep people interested, your presentation needs to have contrast. As humans we process contrast. We are assessing "what's the same," "what's different," "what's like me," "what's not like me." Humans stay interested if they can process contrast. Varying types of contrast can be used. With content, you can contrast between what is and what could be or between your perspective and alternative perspectives.
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