A Quote by Arthur Darvill

I think 'Breaking Bad' is brilliant. Good drama in the U.S. is also so funny and blurs the line between light and dark. — © Arthur Darvill
I think 'Breaking Bad' is brilliant. Good drama in the U.S. is also so funny and blurs the line between light and dark.
The drama of light exists not only in what is in the light, but also in what is left dark. If the light is everywhere, the drama is gone.
I'm usually sort of ambiguous in terms of whether I'm playing a good person or a bad person. I can walk that line of funny but also dark, and I'm happy doing that.
What reaches an audience is honesty. If you're saying something truthful that's supposed to be a funny line, it's going to be funny. And if it's supposed to be a serious line, it's going to be serious. But, I don't think there's a distinction between how you play drama or comedy, if it's based in the truth.
'Breaking Bad' is great at blurring the line between good and evil. It makes you feel compassion for Walter White so you're with him throughout this descent into the darker parts of his psyche. The bad that we're capable of is all circumstantial.
Because I was familiar with Taika's Watiti work and there's a very subversive, funny streak amongst all of them. I don't think he turned [Hunt for the Wilderpeople] into a sort of drama, there's too much dark material underneath it for it to be a comedy; it wasn't designed to be a comedy. I think it's a comedy... I think it's a drama that's funny; which is different.
I think all good drama is funny. All the best drama is ultimately very funny. Life is funny. You can't have any honest treatise on life without bumping into some humor.
Compared to the other work I've done on TV, 'Breaking Bad' was funny. In the beginning, I described it as a dark comedy.
Using the term 'locker room talk' blurs the line between what is criminal and what is simply oafish. That's not a line anyone should want blurred.
I love to do comedy, and I don't think of things as drama or comedy. I think that if it's a funny line, it's a funny line. If it's a funny moment, it's a funny moment.
There is a fine line I have to walk throughout the writing process in a novel. It is this line between drama and melodrama, and it is this line between evoking genuine emotional power and being manipulative.
Not only do you become what you think about, but the world also becomes what you think about. Those who think that the world is a dark place are blind to the light that might illuminate their lives. Those who see the light of the world view the dark spots as merely potential light.
I think we're all good and bad, but good's not funny. Bad is funny. Suppress the good and let the bad out, and then you can be funny.
The bottom line of comedy is to be funny, and the bottom line of drama is to be truthful. You can be truthful and funny, but if you're not truthful in a drama than the audience leaves you.
I will say, 'The Michael J. Fox Show' is funnier than 'Breaking Bad' - not that 'Breaking Bad' isn't funny, but this is funnier and slightly less violent.
I know the difference between right and wrong, and I can tell good from bad. But I also know that the more difficult decisions come when we have to choose between good and better. The toughest calls of all are those we have to make between bad and worse.
That was the thing: Once, the difference between light and dark had been basic. One was good, one bad. Suddenly, though, things weren’t so clear. The dark was still a mystery, something hidden, something to be scared of, but I’d come to fear the light, too. It was where everything was revealed, or seemed to be. Eyes closed, I saw only the blackness, reminding me of this one thing, the most deep of my secrets; eyes open, there was only the world that didn’t know it, bright, inescapable, and somehow, still there.
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