A Quote by Arthur Dove
How do you feel about a person when you're talking over the phone? If you know them, or if you don't know them, do you get something, do you put that into words of your own, from what they say, or from what you think? Or if it were music over the radio, have you ever tried to think how it would look?
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When I started that's how I wrote because I didn't know any better. I was just like "I want to make music." Then there were all these things that I learned to get myself over certain humps, but I think it just comes down to: do I have something to say or not? If I'm feeling something I should try to get that out, and maybe it's not words, but trying to turn it into something.
When talking w/kids its not what we say but how we say it! Think about your tone of voice & non-verbal communication.
When talking to my kids I can get them to listen better by not talking down to them, but talking to them at eyeball level
Others would say to me, 'It is only temporary, it will pass, you will get over it,' but of course they had no idea how I felt, although they were certain that they did. Over and over and over I would say to myself, If I can't feel, if I can't move, if I can't think, and I can't care, then what conceivable point is there in living?
I’m curious about things that people aren’t supposed to see—so, for example, I liked going to the British Museum, but I would like it better if I could go into all the offices and storage rooms, I want to look in all the drawers and—discover stuff. And I want to know about people. I mean, I know it’s probably kind of rude but I want to know why you have all these boxes and what’s in them and why all your windows are papered over and how long it’s been that way and how do you feel when you wash things and why don’t you do something about it?
It is important to know how influential people think and perceive their countrymen, let's say, especially when you are talking about people in power. I think it can be very revealing how they regard themselves and their relationship or their responsibility to their countrymen. That is vital for us all to know and in order to be able to judge them and evaluate them.
I think 'Shade Room,' it's a different me. You know, I think it's more on the lyrical side, talking about my life and how I really feel. You know, all these things outside of football. And people really get to look at how I feel about things or how I look at certain things. It's not just a song, more so me just telling people how I feel.
Have you ever tried to talk to a baby or a toddler? They never look you square in the eyes, they know about three words, and God forbid they ever ask you how you're doing. It's all about them!
Do you think the people who were trying to reach to the Everest were not full of doubts? For a hundred years, how many people tried and how many people lost their lives? Do you know how many people never came back? But, still, people come from all over the world, risking, knowing they may never return. For them it is worth it - because in the very risk something is born inside of them: the center. It is born only in the risk. That's the beauty of risk, the gift of risk.
I really think kids should understand that music is like learning the alphabet. You put small letters together to make words, and then you use these words to create a story, but with music. And they really need to know how to mix and match those letters and how to come up with something that is really interesting, or speak in metaphors as poets do to show us something maybe we didn't think about.
We no longer think of chairs as technology, we just think of them as chairs. But there was a time when we hadn't worked out how many legs chairs should have, how tall they should be, and they would often "crash" when we tried to use them. Before long, computers will be as trivial and plentiful as chairs and we will cease to be aware of the things. In fact I'm sure we will look back on this last decade and wonder how we could ever have mistaken what we were doing with them for "productivity"
I'd go over to friends' houses and ask them to put on some Howlin' Wolf, and they wouldn't know what I was talking about. Then, when they would come over to my house, I'd play them some blues. Their parents wouldn't let them come back. The blues were still called 'race records' back then.
Alabama is somebody that I have always loved, but I think what is so cool about them - it's amazing, actually - is that even people who aren't enormous fans, you know their music. You know of them; you know what they've done in the music world. I think that really says something about them.
I think there's something so attractive about mystery. There's something so attractive about the chase. And the bad guy ... bad boys know how to keep the chase going throughout an entire relationship because you never know if you completely have them or not. That's why they're so hard to get over.
Life is a book, and there are a thousand pages I have not read. I would read them together with you, as many as I can, before I die -" She put her hand against his chest, just over his heart, and felt its beat against her palm, a unique time signature that was all its own. "I only wish you would not speak of dying," she said. "But even for that, yes, I know how you are with your words, and, Will- I love all of them. Every word you say. The silly ones, the mad ones, the beautiful ones, and the ones that are only for me. I love them, and I love you.
I was being rejected all the time. Agents would say, 'I don't think you're the type they're looking for.' I was always like, 'You think? I don't want you to think. I want them to think that.' This business is all about someone's opinion, but not the agent or the manager's. How do they know? They're not that person.
Men love explaining things. But when he's explaining something and you already know that, it might be tempting to say 'I already know that.' Instead, have him explain it to you over and over again. It will make him feel useful and will give you some time to think about out how to avoid him in the future.
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