A Quote by Arthur Erickson

Builders eventually took advantage of the look of modernism to build cheaply and carelessly. — © Arthur Erickson
Builders eventually took advantage of the look of modernism to build cheaply and carelessly.
Why should I build an asset when I can buy it more cheaply than you can build it?
I'm not so fond of people myself, Evvy, but I took my vows for a reason. There are two classes of people in the world, the destroyers and the builders. I want to build, not destroy. You need to ask yourself who you're going to be.
The only reason anyone would sell salt more cheaply than usual would be because he was desperate for money. And anyone who took advantage of that situation would be showing a lack of respect for the sweat and struggle of the man who laboured to produce it.
Look how long it took to build the Freedom Tower, and we wanted that. It took 15 years.
I knew it was unrealistic to think I could build an institution overnight. But if I took baby steps, eventually it would happen.
We are all blind until we see That in the human plan Nothing is worth the making If it does not make the man. Why build these cities glorious If man unbuilded goes? We build the world in vain Unless the builders also grow.
My definition of modernism took a while to develop.
It's very hard to cheaply build anything significant in a multi-platform, mobile world.
Post-modernism is modernism with the optimism taken out.
Postmodernism was a reaction to modernism. Where modernism was about objectivity, postmodernism was about subjectivity. Where modernism sought a singular truth, postmodernism sought the multiplicity of truths.
Post-Modernism was a reaction against Modernism. It came quite early to music and literature, and a little later to architecture. And I think it's still coming to computer science.
Modernism in a way, early modernism, for instance, in pictures, was turning against perspective and Europe. And all early modernism is actually from out of Europe, when you think of cubism is African, is looking at Africa, Matisse is looking at the arabesque, Oceania. Europe was the optical projection that had become photography, that had become film, that became television and it conquered the world.
A dash derives from "to dash," to shatter, strike violently, to throw suddenly or violently, hence to throw carelessly in or on, hence to write carelessly or suddenly, to add or insert suddenly or carelessly to or in the page. "To dash" comes from Middle English daschen, itself probably from Scandinavian-compare Danish daske, to beat, to strike. Ultimately the word is-rather obviously-echoic.
There is a species of moral, legal, and social modernism which we condemn, no less decidedly than we condemn theological modernism.
There is a fascination with violence and power in all modernism, and I sort of saw classic modernism as being more similar to Wyndham Lewis than to the Renaissance. It's not about flow and the presence of humanism and all those things.
When God-given, heaven-sent revival does come, it will undo in weeks the damage that blasphemous Modernism has taken years to build.
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