A Quote by Arthur Erickson
The artist likes to seem totally responsible for his work. Often he begins to explain it, to make it appear as if it were a reasonable process.
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The artist can within limits make what he likes of his life... It is only the artist, and maybe the criminal, who can make his own.
Every artist in the world likes his or her work to make people think.
An odd contradiction, if the layman were correct in his unconscious assumption that an artist begins with reality and ends with art: the converse is true - to the degree that this dichotomy has any truth - the artist begins with art, and through it arrives at reality.
It is very bad for (an artist) to talk about how he (creates). It is not the (artist's) province to explain or to run guided tours through the more difficult country of his work. It's none of their business that you had to learn. Let them think you were born that way.
When you go independent, if you fail, you're totally responsible for it. If you succeed, you're totally responsible for it. You are responsibly for who you are... and what you do and what you make.
A work of art is a work of order, and if the artist is to put the stamp of his own mind on his work, he must arrange, modify, and dispose of his materials so that they may appear in a more agreeable and beautiful manner than they would have assumed without his interference.
The personal lives of painters are tragic and inevitable and do not explain the artist. For the artist is his work and no longer human.
How should an artist begin to do his work as an artist? I would insist that he begin his work as an artist by setting out to make a work of art.
Little did the artist know, who neglected his appearance in favor of his work, that the years would produce a breed that spent hours meticulously acquiring a neglected look to appear like an artist.
Those titles, Executive Producer or actor, are unimportant. I always try to approach my role as an artist. The first thing you want to do, that you attempt to do as an artist, is to have some sort of input into the material that you are working on. That is how my process begins; I say to myself: "I want to do this kind of work or I want to do that kind of work."
I started blogging because I didn't know if I wanted to be an artist. I wanted to talk to other people online who were doing art, so I would post work and ask for feedback. I loved that an artist like James Jean would show his process on his blog. It became this open dialogue that, unfortunately, we don't have a lot in the fine-art world. People will say, "Wow, you share a lot." I'm like, "No, I make it a point to." Instagram is a great place for people to share failure. I don't want people to think that being an artist is some glamorous life.
The worst evil which can befall the artist is that his work should appear good in his own eyes.
The artist is not responsible to any one. His social role is asocial... his only responsibility consists in an attitude to the work he does.
Too often in the past, we have thought of the artist as an idler and dilettante and of the lover of arts as somehow sissy and effete. We have done both an injustice. The life of the artist is, in relation to his work, stern and lonely. He has labored hard, often amid deprivation, to perfect his skill. He has turned aside from quick success in order to strip his vision of everything secondary or cheapening. His working life is marked by intense application and intense discipline.
Mary is God's masterpiece. Have you ever walked into a museum where an artist was displaying his work? Can you imagine him being offended if you were viewing what he considered to be his masterpiece? Would he resent your looking at that instead of at him? 'Hey, you should be looking at me!' Rather, the artist would receive honor because of the attention you were giving his work. And Mary is God's work, from beginning to end.
You might as well ask an artist to explain his art, or ask a poet to explain his poem. It defeats the purpose. The meaning is only clear thorough the search.
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