A Quote by Arthur Erickson

The Renaissance is studded by the names of the artists and architects, with their creations recorded as great historical events. — © Arthur Erickson
The Renaissance is studded by the names of the artists and architects, with their creations recorded as great historical events.
In historic events, the so-called great men are labels giving names to events, and like labels they have but the smallest connection with the event itself. Every act of theirs, which appears to them an act of their own will, is in an historical sense involuntary and is related to the whole course of history and predestined from eternity.
This is an important point about symbols: they do not refer to historical events; they refer through historical events to spiritual or psychological principles and powers that are of yesterday, today, and tomorrow, and that are everywhere.
When writing about historical characters I try to be as accurate as possible, and in particular not to misrepresent the view they held. With a real historical figure you have to be fair, and this is not an obligation you have in dealing with your own creations, so it is quite different.
There are dozens of writings outside of the Bible that verify the historical accuracy of many of the names of people, places, and events mentioned in the Bible. In fact, external sources verify that at least eighty persons mentioned in the Bible were actual historical figures. Fifty people from the Old Testament, and thirty people from the New Testament.
The creations of a great writer are little more than the moods and passions of his own heart, given surnames and Christian names, and sent to walk the earth.
History is opaque. You see what comes out, not the script that produces events, [...] The generator of historical events is different from the events themselves, much as the minds of the gods cannot be read just by witnessing their deeds.
Knowledge enormous makes a God of me. Names, deeds, gray legends, dire events, rebellions, Majesties, sovran voices, agonies, Creations and destroyings, all at once Pour into the wide hollows of my brain, And deify me, as if some blithe wine Or bright elixir peerless I had drunk, And so become immortal.
The Bible is an ancient text from an ancient context. We live thousands of miles and thousands of years away from that context, which also represents different cultures. Archaeology is a modern means of revealing both the lost record of the ancient world, and the historical and social world of the Bible. While the purpose of archaeology is not to prove the historicity of the people and events recorded in Scripture, it can help immeasurably to confirm the historical reality and accuracy of the Bible and to demonstrate that faith has a factual foundation.
I want my work to become part of our visual history, to enter our collective memory and our collective conscience. I hope it will serve to remind us that history's deepest tragedies concern not the great protagonists who set events in motion but the countless ordinary people who are caught up in those events and torn apart by their remorseless fury. I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.
Historical fiction is not history. You're blending real events and actual historical personages with characters of your own creation.
I have been interested in the 12th century since my 20s when it was very fashionable to say of anybody with whom you disagreed, which was basically anybody over the age of 30, "One of the great minds of the 12th century", and one day I thought, "I don't know anything about the 12 century." So I started buying books, reading about it, and I discovered it was a period of great flowering, it was a Renaissance before what we think is the Renaissance, the Italian Renaissance of the 16th century.
If I am not mistaken, the word "art" and "artist" did not exist during the Renaissance and before: there were simply architects, sculptors, and painters, practicing a trade.
We have gotten away from this double aspect of either putting the character back into historical events or of making a historical event of his very life.
It was great fun to be able to work with so many different artists. And I'm paying a tribute to the Beatles. I've just recorded some of their songs.
If theory is the role of the architect, then such beautiful proofs are the role of the craftsman. Of course, as with the great renaissance artists, such roles are not mutually exclusive. A great cathedral has both structural impressiveness and delicate detail. A great mathematical theory should similarly be beautiful on both large and small scales.
This is why it might be more useful to understand the proliferation of interactive media as an opportunity for renaissance: a moment when we have the ability to step out of the story altogether. Renaissances are historical instances of widespread recontextualisation. People in a variety of different arts, philosophies and sciences have the ability to reframe their reality. Renaissance literally means 'rebirth'. It is the rebirth of old ideas in a new context.
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