A Quote by Arthur Erickson
No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.
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Maybe the desert wisdom of the Dakotas can teach us to love anyway, to love what is dying, in the face of death, and not pretend that things are other than they are. The irony and wonder of all of this is that it is the desert's grimness, its stillness and isolation, that brings us back to love.
Over the summit, I saw the so-called Mono desert lying dreamily silent in the thick, purple light -- a desert of heavy sun-glare beheld from a desert of ice-burnished granite.
I always thought that people who live in the desert are a little crazy. It could be that the desert attracts that kind of person, or that after living there, you become that. It doesn't make much difference. But now I've done my 40 years in the desert.
The desert is a natural extension of the inner silence of the body. If humanity's language, technology, and buildings are an extension of its constructive faculties, the desert alone is an extension of its capacity for absence, the ideal schema of humanity's disappearance.
To me, desert has the quality of darkness; none of the shapes you see in it are real or permanent. Like night, the desert is boundless, comfortless, and infinite. Like night, it intrigues the mind and leads it to futility. When you have flown halfway across a desert, you experience the desperation of a sleepless man waiting for dawn which only comes when the importance of its coming is lost.
Likewise, with solar, especially here in California, we're discovering that the 80 solar farm schemes that are going forward want to basically bulldoze 1,000 sq. mi. of southern California desert. Well, as an environmentalist, we would rather that didn't happen.
The knowledge that refuge is available, when and if needed, makes the silent inferno of the desert more easily bearable. Mountains complement desert as desert complements city, as wilderness complements and completes civilization.
How are we to live with the desert, in the desert, within the desert?
If you can survive in the desert, you survive anywhere. I know more than anything life in desert. You can tell by looking at the dirt how long ago it rained, how hard it rained, how much water came through. You can by looking at a plant, a tree, from an animal's look. I can read the desert like I read my hand.
I will fill myself with the desert and the sky. I will be stone and stars, unchanging and strong and safe. The desert is complete; it is spare and alone, but perfect in its soltitude. I will be the desert.
A cactus doesn't live in the desert because it likes the desert; it lives there because the desert hasn't killed it yet.
To wake in that desert dawn was like waking in the heart of an opal. ... See the desert on a fine morning and die - if you can!
The desert is so vast that no one can know it all. Men go out into the desert, and they are like ships at sea; no one knows when they will return.
Long before I ever saw the desert I was aware of the mystical overtones which the observation of nature made audible to me. But I have never been more frequently or more vividly aware of them than in connection with the desert phenomena.
I don't look like a desert person because I stay indoors most of the day and fool around at night. That's what the desert animals do - they don't have a tan either.
I love the sea but it does not love me. The sea is like a desert in that it is quite rightly feared. The sea and the desert are both hungry, they have things to be getting on with so you do not go into them lightly.
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