A Quote by Arthur Frommer
I've always found that the best travelers are the very same people who are intensely interested in the history and culture of their own home city.
Related Quotes
The true Christian regards all Christ's friends as his friends, members of the same body, children of the same family, soldiers in the same army, travelers to the same home. When he meets them, he feels as if he had long known them. He is more at home with them in a few minutes, than he is with many worldly people after an acquaintance of several years. And what is the secret of all this? It is simply affection to the same Savior and love to the same Lord.
Mexico City is the center of art and culture and politics and has been and continues to be for Latin America in a way that I think really called to me as an artistic person, as someone that was interested in the politics of Latin America, you know. God, every single famous person in Latin American history and art and politics seems to have found their way to Mexico City.
A city's soul is best observed during the morning, what is the culture of the city, how are the people, you also get to know whether the city is cosmopolitan or religious.
A lot of artists are good cooks as I'm too, but coming from a culture that was very concerned with food, I was very interested in that from the start. If you're interested in food, you're interested in lots of different aspects of culture. And it's like being interested in the music from a certain area, or writing, or whatever-food is part of that, too.
There are people with otherwise chaotic and disorganized lives, a certain type of person that's always found a home in the restaurant business in much the same way that a lot of people find a home in the military.
I always wanted to do creative things, but I was really interested in entrepreneurship. My family comes from a very entrepreneurial culture, so business was always something I was interested in.
LA is such a crumbling mess of a city. Basically in all my years of travelling, I haven't found another city in the western world that interest me as much as Los Angeles - which might sound like heresy, but most cities, history has already happened and the people living there are sort of living on the bones of the thousand years of history that's already happened there. Whereas LA is always reinventing itself.
I love my own culture. I love my African-American culture very deeply, and I know it deserves to be honored. You have to be aware that people are suffering unjustly, and given our own history we have a duty to stand for the people who are being treated like our parents and grandparents and children were treated.
One thing I found very interesting about comedians around the world was their knowledge of stuff outside of their own culture and comfort zone. That's not very common in the States. We produce our own soft power, which is pop culture, but we rarely try to absorb and learn information from other cultures and countries.
Consider the bloody history of Europe: there was a great aspiration for high culture, yet this very same culture was shaped by brutality and barbarism.
In the Afghan people, I found the most resilient, welcoming people who, for the first time in my career, never judged me over my right to tell this story - as a woman or a foreigner. A people who cherish their culture and history and the films that have captured that culture.
Barcelona is a very old city in which you can feel the weight of history; it is haunted by history. You cannot walk around it without perceiving it. In Los Angeles, it is quite the opposite: it is an older city than it might seem to be, but you don't perceive this -- every day you get out of your home, you are driving somewhere and sometimes you get this impression that everything was put there the night before.
[At DuPont,] I was very fortunate that I worked under men who were very much interested in making discoveries and inventions. They were very much interested in what they were doing, and they left me alone. And I was able to experiment on my own, and I found this very stimulating. It appealed to the creative person in me.
I was always pretty interested in my history. Not just the history of the Caribbean, the history of my people, but all walks of life.
Delhi is a very maligned city, and deservedly so. Yet there's something about it. It's a secret city, it doesn't hang out its wares. It's like a very deep river. Floating right up on top are the institutions of contemporary power: government, politics, media, and then there's the bureaucracy, the diplomatic missions. But it's also the city of intellectual debate, of protest, it's the city where people from all over the country converge to express their anger. And then, underneath all that, there's this crumbling, ancient city, a confluence of so much history.
I'm not interested in gothic storytelling or the horrific for its own sake. I'm always interested in it as a way of getting at larger ideas or important meaning. And you don't see that as much as you'd think in the history of horror cinema. A lot of times, it's scariness for scariness' own sake.
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