A Quote by Arthur Golden

It is confusing, because in this culture we really don't have anything that corresponds to geisha. — © Arthur Golden
It is confusing, because in this culture we really don't have anything that corresponds to geisha.
We don't become geisha because we want our lives to be happy; we become geisha because we have no choice.
Geisha because when I was living in Japan, I met a fellow whose mother was a geisha, and I thought that was kind of fascinating and ended up reading about the subject just about the same time I was getting interested in writing fiction.
The first rule that a geisha is taught, at the age of nine, is to be charming to other women...Every girl in the world should have geisha training.
She paints her face to hide her face. Her eyes are deep water. It is not for Geisha to want. It is not for geisha to feel. Geisha is an artist of the floating world. She dances, she sings. She entertains you, whatever you want. The rest is shadows, the rest is secret.
There's nothing in Chinese culture that is an equivalent of the geisha. It's so different, so special to Japan.
Because it corresponds to a vital need, love is overvalued in our culture. It becomes a phantom - like success - carrying with it the illusion that it is a solution for all problems.
People come to this country because they view our culture as the best. It is a culture free of persecution, a culture free of oppressive government, and above all... a culture of really, really cool stuff.
The key to culture is it's a framework for making decisions. And if it's baked into your culture, people learn how to make decisions across that culture without you ever saying anything. You never have to really do anything except watch and promote and move people around.
Free speech is one of the most important things to me, but I think it gets confusing when it comes to offense. Because for one, just because you have the right to say anything, it doesn't mean you have to.
There is hardly anything more confusing than a really strong-willed woman and when you are surrounded by two of them in the midst of trying to save the world, it really adds to some drama!
I think they find it - they find me quite confusing, because - they know the music, but they don't know anything about me because I keep a very private lifestyle so they end up making up stories as such. But I don't really concern myself too much about them.
It's really easy to not be satisfied with your work, or people, or anything, but I really embrace the idea of not having to want [anything]. Not because you're denying yourself anything, but because it [everything] is already there.
The urban, on the other hand, is often seen as more real and mundane, even though it is obviously far more recent in terms of planetary development. I think this might be because nature corresponds to the unconscious and the artificial world of the city and human culture to the conscious mind.
Communists must always go into the why's and wherefore's of anything, use their own heads and carefully think over whether or not it corresponds to reality and is really well founded; on no account should they follow blindly and encourage slavishness.
I thought 'Garfunkel and Oates' would be too confusing, but it ended up being confusing in the best of ways because the first time we played a comedy club, it was because they thought we were the real Garfunkel and Oates.
What I really wanted to know, though, was what it was like to be a geisha? Where do you sleep? What do you eat? How do you have your hair done?
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